Andreas Weische:
Picture "Little Owl" (2021), unframed
Proportional view
Picture "Little Owl" (2021), unframed
Andreas Weische:
Picture "Little Owl" (2021), unframed

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limited, 30 copies | numbered | signed | dated | drypoint on handmade paper | hand-coloured | unframed | size 53.5 x 39 cm (h/w)

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Product no. IN-924549.00

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Picture "Little Owl" (2021), unframed
Andreas Weische: Picture "Little Owl" (2021), unframed

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Detailed description

Picture "Little Owl" (2021), unframed

Andreas Weische is artistically engaged in many different disciplines. For example, he is an etcher, sculptor and porcelain painter. For his oil on canvas works, Weische, who was a student of greats such as Fabius von Gugel and Ernst Fuchs, is considered a master of the fantastic. His etchings, however, are equally impressive. They often depict a specific nature - for example, this little owl is represented in its natural form and gains its "symbolic" meaning as an owl embodying wisdom entirely through its own motif.

Drypoint, hand-coloured on 300g Hahnemühle handmade paper. Limited to 30 copies with Arabic numbering. Signed, numbered and dated by the artist. Unframed. Motif size 29,5 x 19,8 cm (h/w). Sheet size 53.5 x 39 cm (h/w).

Portrait of the artist Andreas Weische

About Andreas Weische

Andreas Weische (born in 1964) trained as a goldsmith between 1986 and 1990. In the same year, he moved to Munich and ran a jeweller's shop there. Another year later, he became a student of Prof. Ernst Fuchs, and in 1993 a student of Bele Bachem and Fabius von Gugel. Since then, Andreas Weische has worked as a freelance artist, painter, goldsmith, etcher, sculptor and porcelain painter with numerous exhibitions at home and abroad. The artist lives and works at Haus Ruhreck in Hagen, Germany. Here he founded the "Kunstschule Haus Ruhreck" in 2011.

"Andreas Weische is the prototype of the Fantastic Artist (...), with his works, he leads us through the labyrinths of our own soul, populated with enigmatic icons and fantasy creatures (...). His intention to astonish and amaze the viewer, as well as the fact that in all his works, he remains committed to the imagination, to the original pictorial invention, places him in the long and venerable tradition of so-called "fantastic art" (Roman Hocke)."

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