Andreas Weische:
Picture "The Raven II" (2020), unframed
Proportional view
Picture "The Raven II" (2020), unframed
Andreas Weische:
Picture "The Raven II" (2020), unframed

Quick info

limited, total 50 copies | available here: 30 x Arabic numbered | signed | dated | drypoint print on handmade paper | unframed | size approx. 54 x 39.5 cm (h/w)

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Product no. IN-913974.00

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Frame variant
Picture "The Raven II" (2020), unframed
Andreas Weische: Picture "The Raven II" (2020), unframed

Detailed description

Picture "The Raven II" (2020), unframed

For a long time, Weische has been interested in the symbolic figure of the raven because, according to mythology and literature, it is a messenger of fate that can open doors to the fantastic and the otherworldly.

Drypoint print, hand coloured on 300g Hahnemühle handmade paper. Limited to 30 copies with Arabic numbering (available here) and 20 copies with Roman numbering. Signed, numbered and dated by the artist. Motif size 32,5 x 20 cm (h/w). Sheet size approx. 54 x 39.5 cm (h/w).

Portrait of the artist Andreas Weische

About Andreas Weische

Andreas Weische (born in 1964) trained as a goldsmith between 1986 and 1990. In the same year, he moved to Munich and ran a jeweller's shop there. Another year later, he became a student of Prof. Ernst Fuchs, and in 1993 a student of Bele Bachem and Fabius von Gugel. Since then, Andreas Weische has worked as a freelance artist, painter, goldsmith, etcher, sculptor and porcelain painter with numerous exhibitions at home and abroad. The artist lives and works at Haus Ruhreck in Hagen, Germany. Here he founded the "Kunstschule Haus Ruhreck" in 2011.

"Andreas Weische is the prototype of the Fantastic Artist (...), with his works, he leads us through the labyrinths of our own soul, populated with enigmatic icons and fantasy creatures (...). His intention to astonish and amaze the viewer, as well as the fact that in all his works, he remains committed to the imagination, to the original pictorial invention, places him in the long and venerable tradition of so-called "fantastic art" (Roman Hocke)."

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