Quick info
handmade | ceramic | painted | glazed | gold and platinum elements | size approx. 11 x 6 x 12 cm (h/w/d) | weight approx. 0.5 kg
Detailed description
Ceramic figurine "Red Dragon"
Folk art and elaborate handicrafts from Uruguay. The items are fired several times, decorated with materials such as enamel glaze, gold and platinum in elaborate handwork rich in colour.
The effort that goes into these colourful ceramics is enormous. In a first step, the still soft cast base form is decorated with fine ornamental details. The first firing hardens it, then it is painted - again by hand - and decorative enamel glazes are applied. After further kiln cycles, gilding and platinum elements are finally applied - creating individual testimonies of the close connection between Latin American folk art and handicraft at the highest level.
The dragon symbolises power, strength and health and protects against evil spirits. Especially in China, it is revered for these qualities. There it also represents an important sign of the zodiac. Made of ceramic, multi-fired with an enamel glaze and 18-carat gold and lovingly hand-decorated in rich colours. Size approx. 11 x 6 x 12 cm (h/w/d). Weight approx. 0.5 kg. Each piece is unique.
The earliest pieces of evidence of Chinese art are the finds from the Late Neolithic (around 5000-2000 B.C.) of the cultures named Honan and Lungshan after their localities. The art of the Shang Dynasty (16th century to 11th century B.C.) is represented by sacred bronzes, bronze weapons, pottery and jade carvings, which were excavated in the area of today's Changzhou. During the Chang-kuo period (481 - 222 B.C.), the independence of the feudal lords led to the flourishing luxury in the princely tombs. In the Hupeh province, bronze mirrors, chimes and demon-repelling head masks as well as wooden figures, jade carvings and embroidered silk gauzes were excavated.
Western Han Dynasty (206 B.C. - 9 A.D.)
China's supremacy in Central Asia is testified to by numerous archaeological finds. Amongst the most important was the jade burial suit of Princess Tou Wan consisted of 2160 plates of solid jade connected with gold wires, discovered in a burial mound, 150 km southwest of Beijing in 1968. In addition to numerous grave goods, the world-famous lamp of Mancheng, a bronze sculpture of a palace servant was also discovered there. Stone reliefs and murals depict historical themes and bear witness to the high level of art of this period.
Six Dynasties Period (221-589)
In the third century, Buddha and Bodhisattvas first appeared in the decoration of mirrors and as gold-plated small sculptures. Poetry, calligraphy and music gained importance.
Tang Dynasty (618-906)
Under the Tang rulers, a unified China grew into a cosmopolitan empire. The highly developed gold- and silversmithing shows the influences of foreign cultures. The presence of foreigners can also be seen in the ceramic tomb figures of this time.
Song Dynasty (960 - 1279)
The characteristic of the painting of the Northern Song period is the development of a specifically Chinese landscape painting. During the Song period, ceramics experienced an artistic peak.
Yuan Dynasty (1279 - 1368)
Although painting and calligraphy were not encouraged by the rulers, they developed to new heights. Towards the end of the Yuan period, the first blue and white porcelain were produced.
Ming Dynasty (1368 - 1644)
This period marked the emergence of the first book printing and the printing of colour woodblock. Art connoisseurship and collecting increased. In painting, new levels of high performance have been reached. The Ming Dynasty of the 15th century is the golden age of blue and white porcelain and porcelain with copper or iron red underglaze painting.
Ch'ing and Qing Dynasty (1644 - 1912)
The art traditions of former periods were continued. As before, the painting played a significant role. The porcelain art of the period is of high quality. In addition to blue and white porcelain, opaque products from bisque porcelain were increasingly manufactured. Chinese porcelain is a popular collection object since the 17th century.
Ceramic product made of kaolin, quartz and feldspar.
Porcelain is formed by turning or pressing and figurative objects are cast. Complex objects have to be cast in separated steps and sections and then "assembled". After the moulding, the pieces are dried and "annealed" at about 900 °C. Next, the glaze will be applied and fired at temperatures between 1,240 °C and 1,445 °C. In renowned manufactures, the porcelain is painted by hand whereby each colour has to be fired individually and in compliance with narrow temperature tolerances.
Porcelain was invented in China and became widespread in Europe from the 16th century onwards. The first European porcelain factory was founded in Meissen, Germany in 1710.
Other famous European porcelain factories include Fürstenberg, Höchst, Schwarzburger Werkstätten, Lladró, Nymphenburg, KPM, Augarten, Sèvres, Limoges, Royal Copenhagen, Worcester. Individual factories label their products with their personal porcelain stamps so that for the collecter it is easy to identify their origin.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.