Sculpture "Bird of the Night", bronze
Sculpture "Bird of the Night", bronze
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ars mundi Exclusive Edition | limited, 49 copies | numbered | signed | hallmarked | bronze + stone | chiselled | polished | patinated | total size approx. 27 x 12.5 x 8.5 cm (h/w/d) | weight approx. 3.5 kg
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Sculpture "Bird of the Night", bronze
The Munich sculptor Cordula Dobes has been working as a freelance artist since the 1990s. Since then, her works have been successfully presented in numerous exhibitions. The well-known art critic Reinhart Müller-Mehlis once aptly summarised Dobes' art as follows: "By seemingly abstracting herself away from nature, Cordula Dobes manages to take possession of it." A glance at her "Bird of the Night" shows what he meant: The shape of the bird, although composed of elements resembling rectangles, spheres, cubes and ellipses, captures the essence of the night bird better than a mimetic depiction ever could.
Bronze sculpture, cast using the Lost-Wax-Process, chiselled, polished and patinated by hand. Limited edition of 49 copies, numbered, signed and hallmarked with the foundry and ars mundi stamp. On a black diabase pedestal. Size including pedestal 27 x 12.5 x 8.5 cm (h/w/d). Weight approx. 3.5 kg. ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Term for an art object (sculpture, installation), which is produced in multiple copies in a limited and numbered edition according to the artist‘s will.
Artist's multiples have been called the most accessible and affordable art on the market.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.