Emil Nolde:
Picture "Irises and Poppies", black and golden framed version
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Picture "Irises and Poppies", black and golden framed version
Emil Nolde:
Picture "Irises and Poppies", black and golden framed version

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ars mundi Exclusive Edition | limited, 199 copies | numbered | certificate | reproduction, Giclée print on Hahnemühle handmade paper watercolour | framed | passe-partout | glazed | size approx. 57 x 70 cm (h/w)

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Product no. IN-911526

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Picture "Irises and Poppies", black and golden framed version
Emil Nolde: Picture "Irises and Poppies", black and golde...


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Picture "Irises and Poppies", black and golden framed version

"Emil Nolde is indisputably the great colour magician among the Expressionist artists. His watercolour painting achieved a somnambulistic certainty in the formal composition and the use of colours. Pure and luminous, Nolde brings them freely onto the paper with almost unattainable virtuosity. Thus he found colour as the actual means of expression of his art.
It was Nolde who first elevated the watercolour to the status of a fully-fledged work of art. In doing so, he shaped the development of modern German art right up to the present day. Above all, with their radiant luminosity, the works captivate the viewer and speak directly to their emotions. I am therefore delighted that this enchanting watercolour has now been reproduced in outstanding quality for a select audience." (Dr Christian Ring, Director of the Nolde Foundation in Seebüll)

Picture "Irises and Poppies":
Emil and Ada Nolde planted a garden wherever they lived, and so they transformed the grassland around their house in Seebüll into a flowering paradise at great expense. The Nolde Foundation Seebüll quotes him as saying: "The colours of the flowers attracted me irresistibly… the purity of these colours; I loved them…". Today, the Foundation ensures that irises, delphiniums, oriental poppies, cranesbills, lupins and many more flowers bloom there from April to October.

High-quality Fine Art Giclée museum edition reproduced in original size, pigment colours on Hahnemühle genuine handmade watercolour paper. Limited edition of 199 copies, numbered on the back with certificate. Motif size approx. 35 x 47,5 cm (h/w). Sheet size approx. 51 x 63,5 cm (h/w). Dust-proof glazed and framed in high-quality black and golden solid wood frame with passe-partout. Size framed approx. 57 x 70 cm (h/w). ars mundi Exclusive Edition, published in cooperation with the Nolde Foundation Seebüll.

Portrait of the artist Emil Nolde

About Emil Nolde

1867-1956 - German Expressionist

Emil Nolde was born as Hans Emil Hansen and named himself after his birthplace in 1902. Nolde is considered one of the most important German Expressionists. When he was rejected by the Munich Academy of Fine Arts, he moved to Paris to study at the Académie Julien. Starting in 1905 he lived and worked on the Danish island of Alsen and in Berlin and was a member of the revolutionary expressionist group "Die Brücke" (The Bridge) for a short time and of the Berlin Secession.

Shortly after Nolde left the artists' association "Die Brücke" at the end of 1907, he met the Norwegian painter Edvard Munch in Berlin, whose work impressed him greatly. During the visit of his friend Hans Fehr in 1908, he began to discover the technique of watercolour painting and finally how to realise it with virtuosity.

Today, Nolde's oeuvre includes numerous watercolour works, oil paintings, graphic works and several sculptures. His intensive use of colour is characteristic. Although the artist always remained figurative in his motifs (e.g. landscapes, flowers, city scenes, religious motifs), he "composed" his pictures entirely from colour. When Nolde moved into his brick house "Seebüll" in Neukirchen in northern Germany in 1927, he surrounded it with a large garden that offered him motifs in abundance.

Difficult years were to follow. Nolde's position on National Socialism was, as research has long-established, quite complicated. The fact remains: more than 1,000 of his works were confiscated and removed from museums, 48 of his works were exhibited in the infamous "Entartete Kunst" ("Degenerate Art") exhibition in 1937, and in 1941 he was even banned from working - a fate that otherwise only befell the painter Karl Schmidt-Rottluff and the sculptor Edwin Scharff. Nolde reacted by secretly creating about 1,300 "unpainted pictures": small-format watercolours, often in experimental colour composition. This established his post-war fame. In 1955, the works of the 84-year-old were exhibited at the first documenta, and also, after his death, at the second one in 1959.

Works by Emil Nolde can be found in the collections of high-ranking museums worldwide, including the Art Institute in Chicago, the Hermitage Museum in St. Petersburg, the Museum of Modern Art in New York City, the Brücke Museum in Berlin, the Albertina in Vienna and the Kunstmuseum in Basel, etc. Moreover, foundations have been established in his honour in Seebüll and Berlin.