Quick info
museum replica | cast | handmade | 2 suspension holes | size 35 x 20 cm
Detailed description
Fossil Pterosaur
Stone witnesses of prehistoric times: At the time of the first flowering plants, when life began to soar, organisms in the vast lagoons of the Jurassic Sea were transformed into minerals, into naturally created works of art and stone witnesses of former communities of life. Their study provided the basis for evolutionary research. Our true to the original replicas of famous and unique fossils provide deep insights into the life of the prehistoric world.
This flying lizard, which lived until the end of the Cretaceous period, had a very aerial skeleton, probably fluttered like a bat and fed on crinoids, notched animals, small fish and insects.
Original: Bürgermeister Müller Museum, Solnhofen. White Jurassic (Malm), approx. 145 million years old. Limestone.
Polymeric ars mundi museum replica cast by hand, covered with felt on the back; 2 suspension holes. Size 35 x 20 cm.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
Customer reviews
Toller Flugsaurier, super verpackt !
Wie immer: ALLES BESTENS !!
Objekt wie beschrieben und schneller Versand. Danke.
Replik täuschend echt. Sehr schön.
Sehr gute Qualität und Verpackung.
Wirklich schöne Replik!
Collective term for all casting processes that ars mundi carries out with the help of specialised art foundries.
Stone Casting
Similar to artificial marble, with the difference that instead of marble powder, the stone to be replicated is used in powder form.
Bonded Bronze (Cold-Cast-Bronze)
Bronze powder is polymer-bonded. Through special polishing and patination techniques, the surface of the cast takes on an appearance similar to that of bronze.
Imitation Wood
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material that features typical wood characteristics: density, workability, colour, and surface structure.
Ceramic Mould Casting
Ceramic mould casting usually requires the use of casting clay, which is then fired and optionally glazed. Instead of the usual rubber moulds, plaster moulds are often used in ceramic casting and porcelain production.
Cast Bronze (Lost-Wax-Casting)
For the cast bronze, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.
A not fully three-dimensional artwork carved from a stone or wooden panel.
There are different degrees of relief depending on the degree of projection. The range includes low relief/bas-relief and high relief. The sunken relief is a common form of reliefs in Ancient Egypt, in which the depicted scenes were cut into the stone or wood surface.
Among the most famous reliefs are the works of the Florentine master Lorenzo Ghiberti. Among other artworks, he created the pair of gilded bronze doors of the Baptistery in Florence, called by Michelangelo the "Gates of Paradise".
A true-to-the-original reproduction of an artwork in the same size and with the best possible material and colour uniformity.
The mould is usually taken directly from the original so that the replication reproduces even the finest details. After casting the replication, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.
A replication of ars mundi is a recognizable copy of the original.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.