(887) Telescopic umbrella "Tropical Chinese"
(887) Telescopic umbrella "Tropical Chinese"
Quick info
length 30 cm | Ø 105 cm
Detailed description
(887) Telescopic umbrella "Tropical Chinese"
Umbrella inspired by the 1987 artwork (887) "Tropical Chinese": A high-quality telescopic umbrella with a robust synthetic canopy, that can withstand the heaviest downpours. In black protective case. Sumptuous printing in 19 colours. Opened 105 cm. Closed 30 cm long.
Customer reviews
Obwohl Made in PRC ist die Verarbeitung und Materialanmutung hochwertig mit toller DUO-MATIC Funktion. Seit ich diesen Schirm habe, mag ich Regenwetter...!
War ein Geschenk - das Richtige
Alles super, top Ware
Toller Schirm, tolle Abwicklung
Der Schirm diente als Geburtstagsgeschenk, über das sich die beschenkte Dame sehr gefreut hat. Mich hat ihre Reaktion ebenfalls erfreut, so dass Sie mich zu Ihren sehr zufrieden Kunden zählen dürfen.
Die Bestellung wurde schnell und korrekt abgewickelt. Der Schirm entsprach der Abbildung. Auch zuvor bei ars mundi gekaufte Gegenstände waren in natura wie auf den Abbildungen. Bisher gab es keine Probleme beim Einkauf bei ars mindi.
About Friedensreich Hundertwasser
1928-2000
Hundertwasser is one of the most internationally renowned artists of our time. His worldwide reputation was already established in the 1960s. Followed by an eventful and evocative career. His aura and power emerged from his painting and multifaceted work.
Organizing demonstrations, speeches, happenings and campaigns, addressing ecological issues, advocating a life in harmony with nature, manifestos for nature, standing up for a more humane architecture and the improvement of people's lives.
Hundertwasser originated projects such as the tree tenants, the roof afforestation, the regreening of cities, the humus toilet, the restoration of social values and the natural cycles. He was an admonisher against environmental pollution, against the dangers of nuclear energy, against natural degradation and the destruction of natural heritage, and in favour of a waste-free society.
Hundertwasser has been engaged with architecture since the 1950s. On the occasion of the inauguration of the Hundertwasser House of the City of Vienna (1986), he said: "We are again experiencing a turning point where old and rigid values in architecture and urban developement are increasingly being questioned. The straightness and uniformity of Bauhaus architecture is coming to an end because it is callous, sterile, cold, heartless, aggressive and emotionless. The era of absolute rationalism is coming to an end. The new values are enhanced quality of life, not standard of living. Longing for romance, individuality, creativity, especially creativity and living in harmony with nature."
With Friedensreich Hundertwasser, our epoch has found the most imposing challenger of totalitarian thinking, whether it concerns nuclear energy, genetic manipulation, environmental protection or the design of our living space. Hundertwasser lived completely in harmony with his view of things and opposing the contradictions of post-industrial society. Hundertwasser's significance is his art that produces beauty: a message of natural harmony, peace and joy.