Shoulder bag "(224) The Great Way"
Shoulder bag "(224) The Great Way"
Quick info
high-quality sublimation print | various pockets | shoulder strap max. 125 cm | size 28 x 26 x 8 cm (h/w/d)
Detailed description
Shoulder bag "(224) The Great Way"
High-quality sublimation print. A practical multi-purpose shoulder bag with zip, internal pocket, two outer pockets, adjustable shoulder strap up to 125 cm, hook-and-loop fastener. Colour black. Size 28 x 26 x 8 cm (h/w/d). © 2009 Namida AG, Glarus/Switzerland.
The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@arsmundi.de
Customer reviews
Haben schon einige Teile gekauft , und werden es wohl wieder tun .
Schnell Lieferung, Ware sehr gut verpackt!
Die Tasche gefällt mir sehr gut. Die Lieferung war prompt und problemlos.
Schnelle Lieferung, ein gutes Produkt
Die Tasche war ein Geschenk für meine Mutter und sie hat sich riesig gefreut als sie die Tasche ausgepackt hat. Auch die Geburtstagsgäste fanden die Tasche super schön. Bin hoch zufrieden.
Ich bin sehr zufrieden mit dem Arikel, allerdings war die Verpackung nicht sehr umweltfreundlich in Größe und Umfang.
Bin zufrieden mit Artikel und prompter Zustellung
About Friedensreich Hundertwasser
1928-2000
Hundertwasser is one of the most internationally renowned artists of our time. His worldwide reputation was already established in the 1960s. Followed by an eventful and evocative career. His aura and power emerged from his painting and multifaceted work.
Organizing demonstrations, speeches, happenings and campaigns, addressing ecological issues, advocating a life in harmony with nature, manifestos for nature, standing up for a more humane architecture and the improvement of people's lives.
Hundertwasser originated projects such as the tree tenants, the roof afforestation, the regreening of cities, the humus toilet, the restoration of social values and the natural cycles. He was an admonisher against environmental pollution, against the dangers of nuclear energy, against natural degradation and the destruction of natural heritage, and in favour of a waste-free society.
Hundertwasser has been engaged with architecture since the 1950s. On the occasion of the inauguration of the Hundertwasser House of the City of Vienna (1986), he said: "We are again experiencing a turning point where old and rigid values in architecture and urban developement are increasingly being questioned. The straightness and uniformity of Bauhaus architecture is coming to an end because it is callous, sterile, cold, heartless, aggressive and emotionless. The era of absolute rationalism is coming to an end. The new values are enhanced quality of life, not standard of living. Longing for romance, individuality, creativity, especially creativity and living in harmony with nature."
With Friedensreich Hundertwasser, our epoch has found the most imposing challenger of totalitarian thinking, whether it concerns nuclear energy, genetic manipulation, environmental protection or the design of our living space. Hundertwasser lived completely in harmony with his view of things and opposing the contradictions of post-industrial society. Hundertwasser's significance is his art that produces beauty: a message of natural harmony, peace and joy.