Sculpture "Expectation" (2013), bronze
Sculpture "Expectation" (2013), bronze
Quick info
limited, 9 copies | numbered | signed | bronze | patinated | polished | sculpture: 31 x 10 x 10 cm (h/w/d) | plate: 18 x 18 cm | weight 4.5 kg
Detailed description
Sculpture "Expectation" (2013), bronze
Fine bronze sculpture, patinated and polished. Cast by hand using the Lost-Wax-Process. Limited edition of 9 copies, numbered and signed. Size 31 x 10 x 10 cm (h/w/d), on a bronze plate, size 18 x 18 cm. Weight 4.5 kg.
About Gábor Török
Geometry with a harmonious movement: Sculptor Gábor Török is a true master of transformation. His sculptures show their origins in linear basic bodies. But Török transforms the formerly static structures into flowing movements with great skill. He lends them elegance and dynamism.
Török was born in 1952 in Budapest. Since 2004, he has been living and working in Wiesbaden, Germany. In addition to exhibitions throughout Europe, Asia and the USA, he has designed numerous large sculptures for public spaces, including in Berlin and Frankfurt.
Gábor Török is a winner of the cultural prize of the German-Hungarian Society. He designs his works with their own spatial quality, which is composed of the interplay between the interior and exterior of the sculpture. "Török's conception of space is based on a dynamic idea according to which there cannot be a space that is fixed once and for all..." (ArtProfile 2002).
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.