Georg Baselitz:
Picture "Untitled VII." from the portfolio "Signs" (1999/2000)
Proportional view
Picture "Untitled VII." from the portfolio "Signs" (1999/2000)
Georg Baselitz:
Picture "Untitled VII." from the portfolio "Signs" (1999/2000)

Quick info

limited, 60 copies | numbered | signed | etching on handmade paper | framed | size 61.5 x 50.5 cm

incl. tax plus shipping

Product no. IN-881652.R1

Delivery time: approx. 2 weeks

Picture "Untitled VII." from the portfolio "Signs" (1999/2000)
Georg Baselitz: Picture "Untitled VII." from the portfoli...

Detailed description

Picture "Untitled VII." from the portfolio "Signs" (1999/2000)

Robert Creeley (1926-2005) is one of the most important American poets of modernism. In the German feuilleton of Die Zeit, Clemens Eich attested Creeley's "(...) gift of using the great simple words, of working with them without making big words."

In 1996, Robert Creeley visited Georg Baselitz in his residence called Derneburg Castle. This meeting led to the creation of the portfolio "Signs", limited to 60 copies, with 10 works based on the American author's poems.
Baselitz allows the strictly reduced lines of the etching to meet floral depictions in an intense red in the sheets, thus taking artistic account of Creeley's poetic style.

Original etching, 1999/2000. 60 copies on handmade paper, numbered and signed by hand. Motif size 44 x 33 cm. Sheet size 49.5 x 36.5 cm. Size in frame 61.5 x 50.5 cm as shown.

Portrait of the artist Georg Baselitz

About Georg Baselitz

Georg Baselitz, the painter and sculptor born in Saxony, Germany, became popular as he turns his motifs upside down – this is his incomparable trademark since the beginning of the 1970s. While searching for "the picture behind the picture" (Baselitz), he created a completely new perspective.

Baselitz not only turns everything upside down in art but also likes to take on the role of the troublemaker and provocateur. He called artists of the former GDR state (East Germany) "assholes" and didn‘t believe that women can paint and referred to the documenta exhibition as the "Paralympics".

His rebellious nature also spoiled the start of his studies: in 1957 he was expelled from the East Berlin Academy of Fine Arts for "socio-political immaturity", and that because he modelled his work on a great artist - Pablo Picasso. "There was huge dismay. I always thought Picasso was the great communist. But our party members no longer saw him that way. For them, he was a decadent Western painter, an outdated model. Picasso got me kicked out of school," the painter told Spiegel in 2007.

Shortly afterwards Baselitz moved to West Berlin, but even there he worked against all artistic trends. Instead of abstract painting, he focused on figurative, sometimes dramatic depictions, receiving a lack of understanding and ignorance.

The provocation reached its peak in 1963 with his first solo exhibition, in which he presented naked and masturbating men to the prudish Berlin society. Followed by confiscations, investigations by the public prosecutor and plenty of negative headlines in the press. But the general fuss had a pleasant side effect: overnight, everyone knew who Georg Baselitz was.

Georg Baselitz, who was born as Hans-Georg Kern in Deutschbaselitz (now a part of Kamenz, Saxony) in 1938, is now one of the top artists in the international art scene. His works are exhibited in all the world's major museums and collections. Among other awards, the artist received the Kaiserring Art Prize of the city of Goslar. Baselitz taught at the Staatliche Akademie der Bildenden Künste Karlsruhe and the Hochschule der Künste Berlin, and currently lives and works in Inning at the Ammersee.

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