Georg Baselitz:
Picture "Untitled V." from the portfolio "Signs" (1999/2000)
Proportional view
Picture "Untitled V." from the portfolio "Signs" (1999/2000)
Georg Baselitz:
Picture "Untitled V." from the portfolio "Signs" (1999/2000)

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limited, 60 copies | numbered | signed | etching on handmade paper | framed | size 61.5 x 50.5 cm

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Product no. IN-881646.R1

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Picture "Untitled V." from the portfolio "Signs" (1999/2000)
Georg Baselitz: Picture "Untitled V." from the portfolio...

Detailed description

Picture "Untitled V." from the portfolio "Signs" (1999/2000)

Robert Creeley (1926-2005) is one of the most important American poets of modernism. Clemens Eich attested that Creeley had "(...) the gift of using the great simple words, of working with them without making big words" in the German feuilleton of Die Zeit.

In 1996, Robert Creeley and Georg Baselitz met at Derneburg Castle, Baselitz's residence at the time. This meeting resulted in the portfolio "Signs", limited to 60 copies, with 10 works based on the American author's poems.
For the sheets, Baselitz allows the strictly reduced lines of the etching to meet floral depictions in an intense red, thus taking artistic account of Creeley's poetic style.

Original etching, 1999/2000. 60 copies on handmade paper, numbered and signed by hand. Motif size 44 x 33 cm. Sheet size 49.5 x 36.5 cm. Size in frame 61.5 x 50.5 cm as shown.

Portrait of the artist Georg Baselitz

About Georg Baselitz

Georg Baselitz, the painter and sculptor born in Saxony, Germany, primarily became popular because his motifs are upside down - this has been his incomparable trademark since the beginning of the 1970s. While searching for "the picture behind the picture" (Baselitz), he creates a completely new perspective.

However, Baselitz not only turns everything upside down in art but also likes to take on the role of the troublemaker and provocateur. He calls artists of the former GDR state (East Germany) "assholes" and does not believe that women can paint and labels the documenta exhibition as "Paralympics".

His rebellious nature also marred the start of his studies: In 1957 he was expelled from the East Berlin Academy of Fine Arts due to "socio-political immaturity" because he modelled his work on a great artist - Pablo Picasso. "There was huge dismay. I always thought Picasso was the great communist. But our party members no longer saw him that way. For them, he was a decadent Western painter, an outdated model. Picasso got me kicked out of school," the painter told Spiegel in 2007.

Shortly afterwards, Baselitz moved to West Berlin, but even there he continued to work against all artistic trends. Instead of abstract painting, he focused on figurative, sometimes dramatic depictions, receiving a lack of understanding and ignorance.


The provocation reached its peak in 1963 with his first solo exhibition, where he presented naked and masturbating men to the prudish Berlin society. Followed by confiscations, investigations by the public prosecutor and plenty of negative headlines in the press. But the general fuss had a pleasant side effect: Overnight, everyone knew who Georg Baselitz was.

Georg Baselitz, who was born in 1938 as Hans-Georg Kern in Deutschbaselitz (now a part of Kamenz, Saxony), is now one of the top artists in the international art scene. His works are exhibited in all the world's major museums and collections. The artist has been honoured with the Kaiserring Art Prize of the City of Goslar, among other accolades. Baselitz taught at the Staatliche Akademie der Bildenden Künste Karlsruhe and the Hochschule der Künste Berlin, and currently lives and works in Inning at the Ammersee.

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