Sculpture "Malay Woman" (1916), reduction in bronze
Sculpture "Malay Woman" (1916), reduction in bronze
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ars mundi Exclusive Edition | limited, 199 copies | numbered | signature | foundry hallmark | certificate | bronze | chased | polished | patinated | reduction | size 40 x 11.5 x 8 cm (h/w/d) | weight 3 kg
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Sculpture "Malay Woman" (1916), reduction in bronze
Georg Kolbe's "Malay Woman": ars mundi Exclusive Edition, published in collaboration with the Kunsthalle Bremen.
Fine bronze sculpture, cast using the Lost-Wax-Process, chiselled by hand, polished and patinated. Directly moulded from the original and reduced in size (reduction). Limited edition of 199 copies, individually numbered and with the signature taken from the original as well as the foundry hallmark. ars mundi Exclusive Edition, published in cooperation with the Kunsthalle Bremen. With numbered certificate of authenticity and limitation. Size 40 x 11,5 x 8 cm (h/w/d). Weight 3 kg.
"Among Kolbe's sculptures from the collection of the Kunsthalle Bremen, the standing figure 'Malay Woman' stands out because of her almost imperceptible movement of posture. In this way, the artist achieves a reserved approach to the viewer, which is reversed in its effect by the introverted facial expression of the young woman depicted. Thus tension becomes stillness. In extremely concise modelling, Kolbe also sought to achieve uniformity of form without disturbing shadow effects." (Prof. Dr Christoph Grunenberg Director of the Kunsthalle Bremen)
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Georg Kolbe
It was only during a stay in Rome from 1898 to 1901 that Georg Kolbe (1877-1947) began to engage with sculpture. The artist, who was born in Waldheim, Germany, in 1877, had travelled to Rome as an already trained painter and graphic artist who had studied in Dresden, Munich and Paris in the previous seven years and already had some initial successes. As with many artists of his generation, Rodin's work in Paris had made a deep impression on him, and since the sculptor Louis Tuallion offered and provided him with technical support during his first attempts in Rome, he quickly found his way into sculptural work. It was not until 1904, in Berlin, that he decided to concentrate entirely on the art of sculpture. Kolbe quickly gained recognition: he became a member of the Berlin Secession and Paul Cassirer, the city's most important art dealer, soon represented him.
With his "Dancer" (1910) he finally had his breakthrough. He joined the ranks of the most important German sculptors of his time. The "Dancer" is still one of his most famous works today and is said to have become an idol with its "modern" hairstyle and its self-forgetful posture reminiscent of the highly topical expressive dance of the time, to which the art-interested youth made a veritable pilgrimage.
The nude figure continued to be at the centre of his work, often linked with the motif of dance until the 1920s. Kolbe's works after World War I bear witness to his involvement with Expressionism, later turning towards the classical monumental. When Kolbe died in 1947, he left behind a body of work that can be found in renowned collections all over the world.
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An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.
First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).
Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.
Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.
For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Term for an art object (sculpture, installation) that, according to the artist’s intention, is produced in multiple copies within a limited and numbered edition.
Multiples enable the "democratization" of art by making the work accessible and affordable for a wider audience.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.