Sculpture "Letter", bronze version
Sculpture "Letter", bronze version
Quick info
limited, 300 copies | numbered | signed | foundry stamp | bronze | patinated | polished | size 10 x 18 x 14 cm (w/h/d)
Detailed description
Sculpture "Letter", bronze version
Günther Stimpfl reflects the human need to express their spiritual world in visible symbols through a sculpture that is both modern and archaic. The weightless elegance of his impressive works of art - like the idols of lost cultures - stimulates the mind and imagination and fulfils the human longing for beauty that transcends time.
Sculpture "Letter": Limited world edition of 600 copies. Numbered, signed and hallmarked with the foundry stamp. Size 10 x 18 x 14 cm (w/h/d). Edition in bronze. Cast using the Lost-Wax-Process. Finely patinated, partially polished. Limited edition of 300 copies.
About Günther Stimpfl
Günther Stimpfl's rise to the art elite began in Vienna. There he was a master student of Fritz Wotruba and Joannis Avramidis at the Academy of Fine Arts between 1964 and 1972. From 1972 to 1984, he attracted attention with designs for mobile wind and water objects. Since 1985, Günther Stimpfl has been working as a freelance sculptor.
His static-figurative large and small sculptures, which have attracted great attention in exhibitions in the art centres of Europe, are today highlights of important public and private collections.
Günther Stimpfl reflects the human need to express its spiritual world with visible symbols through sculptures that are modern and archaic. The weightless elegance of his impressive works of art – like the idols of lost cultures – stimulates the mind and imagination and fulfils the human longing for beauty that transcends time.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Sculptural representation of person's head and shoulders.
Term for an art object (sculpture, installation), which is produced in multiple copies in a limited and numbered edition according to the artist‘s will.
Artist's multiples have been called the most accessible and affordable art on the market.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.