Gustav Klimt:
Bild "Apfelbaum I" (1912), gerahmt
Proportional view
Bild "Apfelbaum I" (1912), gerahmt
Gustav Klimt:
Bild "Apfelbaum I" (1912), gerahmt

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Reproduktion, Giclée auf Leinwand | auf Keilrahmen | gerahmt | Format 85 x 85 cm

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Product no. IN-759921

Delivery time: approx. 2 weeks

Frame variant
Bild "Apfelbaum I" (1912), gerahmt
Gustav Klimt: Bild "Apfelbaum I" (1912), gerahmt

Detailed description

Bild "Apfelbaum I" (1912), gerahmt

We're sorry, but there is no English translation for this item yet. If you are interested in the size or the material of this product, please have a look at the German description as stated below.

Gustav Klimts Stil ist unverwechselbar. Neben den Bildern seiner "goldenen Periode" waren es insbesondere die beeindruckenden Landschaftsbilder, mit denen der Wiener Meister den Übergang in die moderne Malerei prägte. In der Natur gemalt, ohne Vorskizzen, sind die stimmungsvollen, meist quadratischen Landschaftsbilder für Gustav Klimt Ruhe und Meditation.

Der Apfelbaum gilt seit Urzeiten als mythologisches Symbol des Lebens und der Liebe, der Fruchtbarkeit und des Weiblichen. Klimts "Apfelbaum I" strahlt eine feierliche Monumentalität aus.
Original: Öl auf Leinwand, Österreichische Galerie Belvedere.

Für eine brillante, authentische Wiedergabe wurde die Originalvorlage im Fine Art Giclée-Verfahren direkt auf Künstlerleinwand aus 100% Baumwolle übertragen und auf einen Keilrahmen aufgezogen. In silberfarbener Galerierahmung. Format 85 x 85 cm.

Portrait of the artist Gustav Klimt

About Gustav Klimt

1862-1918, Austrian painter, a famous representative of Viennese Art Nouveau

Gustav Klimt (1862-1918) was already a renowned artist, influencing the Art Nouveau style of Vienna's famous Ringstrasse with his murals and co-founding the Vienna Secession, when he created his "Golden Style". Inspired by the Byzantine mosaics, he inserted ornamental colour surfaces into a golden bed just like encased gemstones. With his visual art, Klimt describes the path of life of human beings who, negatively influenced by instincts, find their redemption in the kiss. The depictions of the body convey a subtle eroticism, although their figures dissolve into ornamental and geometric colour surfaces. He utilized this method not only for his depictions of couples but also for his portraits of rich women and landscape paintings. This two-dimensional style is today the epitome of Klimt's intensely coloured art, which, however, only characterises his work from 1905 onwards.

Klimt was not only adept at gold and opulence but was also a brilliant draughtsman. He produced numerous drawings in the course of his life. Mostly as preliminary studies for larger works.

As a son of an engraver, Klimt learned his craft at Vienna‘s School of Applied Arts. While still seeking to find his own artistic style, his early work is based on historicism especially influenced by Hans Makart, the artist Prince of the Habsburg monarchy in the late 19th century. Together with his brother Ernst and Franz Matsch, the three young painters formed an artistic community and received numerous commissions to design new buildings on Vienna's Ringstrasse. The staircases of Vienna's Burgtheater or the Museum of Fine Arts bear witness to the historicist style of this collaborative team.

In the late 1890s, like so many young and open-minded artists of the fin de siècle, Gustav Klimt abandoned the academic tradition. In 1897, together with other artists, he founded the "Wiener Secession", which he presided over as president until his resignation in 1905. To this day, the Secession's exhibition building remains a place and temple for new young art.

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