Gustav Klimt:
Picture "Lady with Fan" (1917/18), framed
Proportional view
Picture "Lady with Fan" (1917/18), framed
Gustav Klimt:
Picture "Lady with Fan" (1917/18), framed

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limited, 499 copies | reproduction, Giclée print on canvas | on stretcher frame | framed | size approx. 77 x 77 cm

incl. tax plus shipping

Product no. IN-876321

Delivery time: approx. 2 weeks

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Picture "Lady with Fan" (1917/18), framed
Gustav Klimt: Picture "Lady with Fan" (1917/18), framed

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Detailed description

Picture "Lady with Fan" (1917/18), framed

We're sorry, but there is no English translation for this item yet. If you are interested in the size or the material of this product, please have a look at the German description as stated below.

Die "Dame mit Fächer" gehört zu den beiden letzten Gemälden Klimts. Das Bild stand noch auf der Staffelei des Künstlers in seinem Atelier, als Klimt verstarb. 1994 erzielte es über 10 Millionen US-Dollar bei einer Versteigerung.

Es gehört zu Klimts "Goldenem Stil". Durch byzantinische Mosaiken inspiriert, fügte er ornamentale Farbflächen in ein goldenes Bett wie gefasste Edelsteine. Seine Körperdarstellungen besitzen eine subtile Erotik, deren Gestalten sich auflösen in ornamentalen, aber auch geometrischen Farbflächen. Die "Dame mit Fächer" trägt ein weites, kimonoartiges Kleid, das Motive eines chinesischen Drachengewandes zieren. Den Hintergrund überziehen asiatische Motive. Hinter dem Kopf der "Wally" ist ein Phoenix zu erkennen, dessen Schwanzfedern wie eine Verlängerung der Frisur wirken, daneben ein Reiher oder Kranich und Lotosblüten.

Der Phoenix ist ein Symbol für Unsterblichkeit und Wiedergeburt. In China steht er für Glück und Treue, genauso wie der Reiher, der Kranich steht für ein glückliches, hohes Alter. Die Lotosblüten können in der chinesischen Tradition als Symbol der Liebe und der glücklichen Ehe gedeutet werden, im Buddhismus stehen sie für die Lehren Buddhas und sind allgemein ein Symbol der Reinheit.

Original: 1917/18, Öl auf Leinwand, Privatbesitz.
Gemälde als brillante Wiedergabe im Fine Art Giclée-Verfahren auf Künstlerleinwand aus 100% Baumwolle, auf Keilrahmen. Limitierte Auflage 499 Exemplare. Manufaktur-Echtholzrahmung mit Leistenoberfläche in Passauer Platin. Format ca. 77 x 77 cm.

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Portrait of the artist Gustav Klimt

About Gustav Klimt

1862-1918, Austrian painter, a famous representative of Viennese Art Nouveau

Gustav Klimt (1862-1918) was already a renowned artist, influencing the Art Nouveau style of Vienna's famous Ringstrasse with his murals and co-founding the Vienna Secession, when he created his "Golden Style". Inspired by the Byzantine mosaics, he inserted ornamental colour surfaces into a golden bed just like encased gemstones. With his visual art, Klimt describes the path of life of human beings who, negatively influenced by instincts, find their redemption in the kiss. The depictions of the body convey a subtle eroticism, although their figures dissolve into ornamental and geometric colour surfaces. He utilized this method not only for his depictions of couples but also for his portraits of rich women and landscape paintings. This two-dimensional style is today the epitome of Klimt's intensely coloured art, which, however, only characterises his work from 1905 onwards.

Klimt was not only adept at gold and opulence but was also a brilliant draughtsman. He produced numerous drawings in the course of his life. Mostly as preliminary studies for larger works.

As a son of an engraver, Klimt learned his craft at Vienna‘s School of Applied Arts. While still seeking to find his own artistic style, his early work is based on historicism especially influenced by Hans Makart, the artist Prince of the Habsburg monarchy in the late 19th century. Together with his brother Ernst and Franz Matsch, the three young painters formed an artistic community and received numerous commissions to design new buildings on Vienna's Ringstrasse. The staircases of Vienna's Burgtheater or the Museum of Fine Arts bear witness to the historicist style of this collaborative team.

In the late 1890s, like so many young and open-minded artists of the fin de siècle, Gustav Klimt abandoned the academic tradition. In 1897, together with other artists, he founded the "Wiener Secession", which he presided over as president until his resignation in 1905. To this day, the Secession's exhibition building remains a place and temple for new young art.

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