Gustav Klimt:
Picture "Portrait of Emilie Flöge" (1902), framed
Proportional view
Picture "Portrait of Emilie Flöge" (1902), framed
Gustav Klimt:
Picture "Portrait of Emilie Flöge" (1902), framed

Quick info

limited, 950 copies | original Dietz replica | oil on canvas | on stretcher frame | framed | size approx. 114.5 x 54.5 cm (h/w)

incl. tax plus shipping

Product no. IN-701807

Delivery time: approx. 2 weeks

Picture "Portrait of Emilie Flöge" (1902), framed
Gustav Klimt: Picture "Portrait of Emilie Flöge" (1902),...

Detailed description

Picture "Portrait of Emilie Flöge" (1902), framed

The designer, couturier and entrepreneur Emilie Louise Flöge was a fascinating personality of the Fin de Siècle and Gustav Klimt's partner. Klimt portrayed this icon of Art Nouveau in a self-designed dress that was considered revolutionary women's fashion.

Klimt frequently painted Emilie Flöge. In 1903, for the very first time, the picture was exposed to the public. However, she did not identify with this picture because it resembled a beautiful, bored lady of Viennese society rather than the businesswoman with her own career - who she really was.
Original: 1902, oil on canvas, Kunsthistorisches Museum, Vienna.

Original Dietz replica. Oil on canvas in 90 colours with real gold and real silver finishing. Limited edition of 950 copies. Each canvas replica is stretched on stretcher frames like the original, so you can re-stretch the canvas as room temperature and humidity fluctuate. Framed with a silver real wood strip. Size incl. frame approx. 114.5 x 54.5 cm (h/w).

Customer reviews

Portrait of the artist Gustav Klimt

About Gustav Klimt

1862-1918, Austrian painter, a famous representative of Viennese Art Nouveau

Gustav Klimt (1862-1918) was already a renowned artist, influencing the Art Nouveau style of Vienna's famous Ringstrasse with his murals and co-founding the Vienna Secession, when he created his "Golden Style". Inspired by the Byzantine mosaics, he inserted ornamental colour surfaces into a golden bed just like encased gemstones. With his visual art, Klimt describes the path of life of human beings who, negatively influenced by instincts, find their redemption in the kiss. The depictions of the body convey a subtle eroticism, although their figures dissolve into ornamental and geometric colour surfaces. He utilized this method not only for his depictions of couples but also for his portraits of rich women and landscape paintings. This two-dimensional style is today the epitome of Klimt's intensely coloured art, which, however, only characterises his work from 1905 onwards.

Klimt was not only adept at gold and opulence but was also a brilliant draughtsman. He produced numerous drawings in the course of his life. Mostly as preliminary studies for larger works.

As a son of an engraver, Klimt learned his craft at Vienna‘s School of Applied Arts. While still seeking to find his own artistic style, his early work is based on historicism especially influenced by Hans Makart, the artist Prince of the Habsburg monarchy in the late 19th century. Together with his brother Ernst and Franz Matsch, the three young painters formed an artistic community and received numerous commissions to design new buildings on Vienna's Ringstrasse. The staircases of Vienna's Burgtheater or the Museum of Fine Arts bear witness to the historicist style of this collaborative team.

In the late 1890s, like so many young and open-minded artists of the fin de siècle, Gustav Klimt abandoned the academic tradition. In 1897, together with other artists, he founded the "Wiener Secession", which he presided over as president until his resignation in 1905. To this day, the Secession's exhibition building remains a place and temple for new young art.