Stick umbrella "Paris in the Rain"
Stick umbrella "Paris in the Rain"
Quick info
automatic | length 88 cm | Ø shade 100 cm
Detailed description
Stick umbrella "Paris in the Rain"
Umbrella with Gustave Caillebotte's motif "Paris in the Rain". Automatic stick umbrella with polyester canopy and fibreglass frame. Steel shaft, black plastic handle. Length 88 cm. Diameter 100 cm.
Customer reviews
Hat alles gut geklappt.
About Gustave Caillebotte
1848-1894
Unusual perspectives and compositions are surprising in Caillebotte's pictures, who was born in Paris on August 19, 1848. The wealthy engineer had only studied for a brief period at the École des Beaux-Arts and preferred to learn from his artist friends. As a great patron of the Impressionists, he was particularly connected by his friendship with Monet and Renoir. Initially, working people were still the focus of his work. But the engineer was particularly fascinated by modern technology, and so he became a painter of a rapidly changing world.
Strongly influenced by photography, his pictures are often characterised by backlit depictions. The daring details and the often-unbiased approach to a subject draw the viewer directly into the picture.
He helped his artist friends overcome their distress by buying their pictures so that when he died on February 21, 1894, he possessed 67 Impressionist paintings at his country estate in Petit Gennevilliers near Paris. He bequeathed these works to the Louvre.
The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.
Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.
Impressionism can be seen as a reaction to academic painting. The emphasis was not on content with its strict rules of painting structure, but on the object as it appears at any given moment, in an often random cut out. The reality was seen in all its variety of colours in natural lighting. The Studio painting was replaced by open-air painting.
Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but side by side on the canvas so that the final impression lies in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac) this principle was taken to the extreme.
Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.
However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.