Sculpture "habitat montagne 2" (2019) (Unique piece), steel and bronze
Sculpture "habitat montagne 2" (2019) (Unique piece), steel and bronze
Quick info
unique piece | signed | Corten steel and bronze | size 59 x 25 x 4 cm (h x w x/d)
Detailed description
Sculpture "habitat montagne 2" (2019) (Unique piece), steel and bronze
Corten steel, bronze, 2019. Signed. Height: 59 cm. Width: 25 cm. Depth: 10 cm.
About Jan M. Petersen
The artist and qualified architect Jan M. Petersen, born in 1969 in Bad Vilbel, Germany, humorously questions art history and at the same time approaches it with enthusiasm.
In addition to handy wooden works on which he puts his cheeky and wise slogans, all telling of his passion for art, the artist also delights with his small- and large-format sculptures and coloured steel cuts. Jan M. Petersen lives and works in Brandenburg, Germany.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Contemporary art created from objects that are not normally considered materials from which art is made.
Object art was a means of expression of Cubism, Dadaism and Surrealism, and in the course of their development to the present day had spawned various presentation techniques.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.
A one-of-a-kind or unique piece is a work of art that has been personally created by the artist. It exists only once due to the type of production (oil painting, watercolours, drawing, etc.).
In addition to the classic unique pieces, there exist the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a type of modern art, that aims to create an aesthetic effect through series, repetitions and variations of the same objects or themes or a system of constant and variable elements or principles.
In the history of arts, the starting point of this trend was the work "Les Meules" (1890/1891) by Claude Monet, in which for the first time a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.