Marc Chagall:
Collection Les Vitraux d'Hadassah by Bernardaud - Matzah plate
Marc Chagall:
Collection Les Vitraux d'Hadassah by Bernardaud - Matzah plate

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porcelain | size 27 x 23 cm | dishwasher safe

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Collection Les Vitraux d'Hadassah by Bernardaud - Matzah plate
Marc Chagall: Collection Les Vitraux d'Hadassah by Bernar...

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Collection Les Vitraux d'Hadassah by Bernardaud - Matzah plate

In 1959, the Hadassah Hebrew University Hospital commissioned a set of 12 glass-painted windows from Chagall. These windows, intended for a synagogue yet to be built, would symbolise the 12 tribes of Israel. The Chagall Committee approached Bernardaud to entrust the porcelain manufacturer with the production of a few selected items using motifs from the existing archive.
The Hadassah Medical Center in Jerusalem is one of the most modern medical facilities in the Middle East and is open to people of all religions.

Bowl is decorated with one of the many poetic, fairy-tale motifs from the artist's work. Finest Limoges porcelain from the French porcelain manufacturer Bernardaud. Size 27 x 23 cm. Dishwasher safe. © ADAGP, Paris, 2021 - Chagall ®

Portrait of the artist Marc Chagall

About Marc Chagall

1887-1985 - Russian-French painter

Marc Chagall is one of the greatest masters of the 20th century, whose work had a lasting influence on the art world. A unique mythteller of unbelievable creative power - a painter and poet.

The origin of his creations lies in the religious experiences of his childhood, ancient myths and legends. His favourite creatures are enchanted and dreamy figures in love, weightless and removed from reality. The light, open language of signs and the delicate floating of the pictorial motifs develop a charming language of fantasy. The viewer is overwhelmed by the harmony of the theme and the poetic beauty of the colours.

Marc Chagall describes his painting as the "happy vision of a desirable world" and understands it as a counter-image to reality.

Marc Chagall was born in 1887 to Jewish parents in the Belarusian city of Vitebsk. At the age of 20, he went to Saint Petersburg to study painting. There, he saw pictures of European Modernism for the first time and was so fascinated by them that he travelled to Paris in 1910. He rented a tiny workroom in the studio house "La Ruche", where his neighbours were Léger and Modigliani, and he met Soutine, Archipenko and the Delaunays. Chagall lived in the midst of the avant-garde, but he is neither interested in modern technology nor in taking a look ahead, but rather in how he can most effectively capture the nostalgic-poetic world of his childhood memories.

When he saw the colours and forms of the Cubists, he knew: With them, he could use them to depict the enchantment of the small town with its crooked wooden huts, as well as Jewish family celebrations, the frenzy of first love or the flying violinist as a symbol of Ahasver, the restless Jew.

From then on, Chagall playfully fused set pieces of his memories with moments of Russian folklore, religion, nostalgia and fantasy - and succeeded: Herwarth Walden, Berlin art dealer and publisher of the magazine "Sturm," discovered Chagall in 1913 and immediately organised an exhibition in Berlin, making the young artist famous overnight.

Chagall spent the years of the First World War back in Vitebsk. He married his childhood sweetheart Bella Rosenfeld and briefly became "Commissioner for Fine Arts" in 1918, but in 1923 he moved back to Paris with his wife. The young artist was soon doing well in business: He had exhibitions, painted, and illustrated books and in 1930, he received the enormous commission to illustrate the Bible.

In 1941, Chagall and his family fled to the USA. The death of his wife in 1944 interrupted his creative flow for many months. Early nudes and couple paintings express Chagall's deep affection for her with strong erotic symbolism. These works are a hymn to the happiness of human harmony, and they depict the myth of man and woman.

When he returned to Paris in 1947, several European capitals held a retrospective exhibition of the now 60-year-old artist's work. Chagall's early paintings, which transport the viewer into a delicately coloured, non-political ideal world, are popular.

In depicting the ancient love story of "Daphnis and Chloé", Chagall also deals with personal changes in his private life. In 1952, he married the Russian Valentina Brodsky. On the Greek island of Paros, his new life began, that Chagall needed in order to be able to work in a sheltered way. These events are depicted in "Daphnis and Chloé". Spaces of silence alternate with exuberant festivities. But above all hovers the tangible love, detached from the burdens of human existence. Chagall worked intensively on this cycle for three years. The cycle, a series of 42 original colour lithographs, is a masterpiece of illustration in 20th-century art.

In addition to lithographs and bible illustrations, Chagall also created monumental art in public spaces: In the late 1950s, Chagall discovered stained glass. Until the 1970s, he designed windows for numerous large European churches, for a Jerusalem synagogue and the United Nations. At the same time, he created ceiling paintings for the Paris Opera and murals in Tel Aviv, Tokyo and New York. The very old Chagall worked tirelessly - but he was reluctant to talk about his paintings.

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