Mark Rothko:
Picture "Untitled (Red, Orange)" (1968), natural framed version
New
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Picture "Untitled (Red, Orange)" (1968), natural framed version
Mark Rothko:
Picture "Untitled (Red, Orange)" (1968), natural framed version
New

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limited, 500 copies | halftone process on handmade paper | framed | passe-partout | glazed | UV-protected | size approx. 89 x 71.5 cm (h/w)

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Product no. IN-941857.R2

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Frame variant
Picture "Untitled (Red, Orange)" (1968), natural framed version
Mark Rothko: Picture "Untitled (Red, Orange)" (1968), nat...

Detailed description

Picture "Untitled (Red, Orange)" (1968), natural framed version

Original: 1968, oil on canvas, 233 x 176 cm, Fondation Beyeler, Riehen / Basel, Switzerland.

Edition in 6-colour amplitude-modulated halftone process, which accurately reproduces intermediate tones, on 260g Rives handmade paper. Limited to 500 copies. Motif size 71.5 x 54 cm (h/w). Sheet size 80 x 60 cm (h/w). © 1998 Kate Rothko-Prizel & Christopher Rothko © Photo: Robert Bayer, Basel © VG Bild-Kunst, Bonn 2022. Framed in a high-quality natural solid wood frame with passe-partout, dust-proof glazed with UV-resistant acrylic glass. Size framed approx. 89 x 71.5 cm (h/w).

Portrait of the artist Mark Rothko

About Mark Rothko

Mark Rothko (1903-1970) was a leading member of the abstract artist group "New York School". Alongside Jackson Pollock, he is the second great representative of American Abstract Expressionism.

The painter, who was born Marcus Rothkowitz in Latvia, emigrated to the USA with his family in 1913. Between 1921 and 1923, Rothko studied at Yale University. Even before graduating, he abandoned his original plans to become a lawyer or engineer and moved to New York, where he took classes at the Art Students League of New York.

His early works were expressive portraits, city scenes and landscapes but, during his career, he developed his own pictorial language: his large-format works, characterised by superimposed monochrome colour surfaces, aim for precisely calculated light and spatial effects, for an almost meditative interaction between the image and the viewer. Thus, Rothko also accepted the offer to develop a concept for an interreligious devotional space (the "Rothko Chapel" in Houston).

A work by Rothko shapes space and gives it a face – art cannot do more than that.

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