Max Pechstein:
Picture "Sunset at Leba's Port" (1926), framed
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Picture "Sunset at Leba's Port" (1926), framed
Max Pechstein:
Picture "Sunset at Leba's Port" (1926), framed

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ars mundi Exclusive Edition | limited, 199 copies | numbered | reproduction, Giclée print on handmade paper | framed | passe-partout | glazed | size approx. 38 x 44 cm (h/w)

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Product no. IN-860934

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Picture "Sunset at Leba's Port" (1926), framed
Max Pechstein: Picture "Sunset at Leba's Port" (1926), fr...

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Picture "Sunset at Leba's Port" (1926), framed

Before the picture "Sunset at Leba's Port" was painted in 1926, it was already famous as a drawing. It shows the port as a place of protection and security. However, at the same time, the reflection of the setting sun on the surface of the water seems like a way out. In this way, the motif takes on a deeper, symbolic meaning; the port represents home and departure.
Original: Oil on canvas, loan from a private collection, Pommersches Landesmuseum, © 2022 Pechstein Hamburg / Preetz.

High-quality reproduction using the Fine Art Giclée process on heavy Hahnemühle handmade paper. Framed in a handmade solid wood frame with passe-partout, glazed. Limited edition of 199 copies, numbered on the back. Size approx. 38 x 44 cm (h/w). ars mundi Exclusive Edition.

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Portrait of the artist Max Pechstein

About Max Pechstein

1881-1955

Max Pechstein is considered today, as he was then, one of the most important representatives of German Expressionism. In spring 1906, he joined the artists' group "Die Brücke", which had been founded the previous year by Kirchner, Heckel, Schmidt-Rottluff and Bleyl. In the field of graphic art, he produced an oeuvre of over 850 woodcuts, lithographs and etchings in addition to his paintings.

What Tahiti was to Paul Gauguin, the Baltic Sea coast was to Max Pechstein: a paradise where he found peace, but above all great inspiration. From 1909 onwards, he travelled several times to Nidden on the Curonian Spit, where Lovis Corinth had worked as a young art student more than a quarter of a century earlier. However, when the Treaty of Versailles placed the Curonian Spit under Allied administration in 1920, the way there was blocked. In his own words, Pechstein had to "once again go in search of a spot of earth that was not overrun by painters, tourists and bathers". He found it in Leba, where from then on he spent his summers on a regular basis.

"For more than twenty years Max Pechstein went to the Baltic coast every summer, first to the Curonian Spit, then to Pomerania, which naturally connected him closely to our house. When he rented a room here with his first wife in 1921, he had no idea how attached he would soon feel to the small harbour town of Leba, for he fell in love with Marta Möller, the daughter of his innkeeper. The pristine nature with its beach lakes and the fishing boats in the harbour, the pipe in his mouth, tanned and the anchor tattooed, those things stayed with the passionate angler Pechstein until the end of his life, even when he and his wife could no longer go to Pomerania after the Second World War." (Dr. Birte Frenssen, Deputy Director at the Pomeranian State Museum in Greifswald)

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