Picture "Sitting Girl with Sheep at the Pond I" (1903), framed
Picture "Sitting Girl with Sheep at the Pond I" (1903), framed
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ars mundi Exclusive Edition | limited, 499 copies | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 57 x 73 cm (h/w)
Detailed description
Picture "Sitting Girl with Sheep at the Pond I" (1903), framed
Original: 1903, oil on cardboard on plywood, Böhm Collection, Berlin.
The original artwork was transferred directly onto 100% cotton artist's canvas for a brilliant, authentic reproduction using the Fine Art Giclée process and mounted on a stretcher frame. Limited edition 499 copies, with certificate. Framed in a handmade, silver-coloured solid wood frame with shadow gap. Size 57 x 73 cm (h/w). Exclusively at ars mundi.
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Customised picture frame
Frame configurator
Customised picture frame
About Paula Modersohn-Becker
1876-1907
Only after her early death Paula Modersohn-Becker was recognised as a pioneer of modernism who artistically anticipated much of what others were just beginning to do. The painter repeatedly tried out new ways of making colour, shape and surface independent and thus enhancing the expression of her pictures.
At the turn of the century, she created numerous portraits as well as studies of moorland and birch landscapes. These were either Impressionist or Expressionist in style and showed her preference for a strictly reduced composition and her renunciation of depth illusionism. Ultimately, she was always concerned with revealing the secret poetry of things behind their outward appearance. She summarised this artistic goal with the phrase "The thing itself in the mood".
To mark the 100th anniversary of the death of the great German painter, major exhibitions were held at the Lower Saxony State Museum in Hanover, the Kunsthalle Bremen and the Böttcherstraße Art Collections in Bremen.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Depiction of typical scenes from daily life in painting, whereby a distinction can be made between peasant, bourgeois and courtly genres.
The genre reached its peak and immense popularity in Dutch paintings of the 17th century. In the 18th century, especially in France, the courtly-galant painting became prominent while in Germany the bourgeois character was emphasised.
Giclée = derived from the French verb gicler "to squirt, spurt".
The giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different-coloured dye- or pigment-based inks (usually six to twelve). The colours are fade-proof, i.e. resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.
The giclée process is suitable for art canvases, handmade and watercolour paper as well as for silk.
The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.
Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.
Impressionism can be seen as a reaction to academic painting. The emphasis was not on content with its strict rules of painting structure, but on the object as it appears at any given moment, in an often random cut out. The reality was seen in all its variety of colours in natural lighting. The Studio painting was replaced by open-air painting.
Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but side by side on the canvas so that the final impression lies in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac) this principle was taken to the extreme.
Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.
However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.