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Claude Monet:
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed by Claude Monet
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Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed
Claude Monet:
Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed

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ars mundi Exclusive Edition | limited, 980 copies | numbered | signed | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 66 x 86 cm (h/w)

€490.00

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Product no. IN-944579

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Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed
Claude Monet: Picture "Beach Path Between Wheat Fields At...
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Detailed description

Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed

In the wild and beautiful coastal landscape of Normandy, a small path winds its way to the sea, which anyone would like to continue walking in their thoughts...

In his later years, Claude Monet said that he did not merely paint objects but the essence of things enveloped by atmosphere and light. And so, he was constantly searching for landscapes that offered him not only interesting motifs but also special light conditions. In early 1882, he became fascinated by the region around the fishing village of Pourville near Dieppe in Normandy, where he set up his relay for about three months. Again, it was the special interplay of landscape and light that inspired him to create a whole series of remarkable works.
Original: 1882, oil on canvas, 58.4 x 78.1 cm, Denver Art Museum, USA.

Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched on stretcher frame. Limited edition of 980 copies, numbered and signed with certificate. Framed in handmade, white-golden solid wood frame. Size 66 x 86 cm (h/w). ars mundi Exclusive Edition.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

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Average rating of 5 out of 5 stars

(3)

Average rating of 5 out of 5 stars

Frame variant: framed

Als Geburtstagsgeschenk bestellt, promt geliefert in der bekannt guten Arsmundi-Qualität. Kann ich nur empfehlen.

Average rating of 5 out of 5 stars

Frame variant: framed

Alles gut geklappt. Sehr freundlicher Service am Telefon

Average rating of 5 out of 5 stars

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Das Bild hat meine Erwartungen zu 100 % erfüllt.
Qualtitaiv hochwertig und edel.

Portrait of the artist Claude Monet

About Claude Monet

1840-1926

The art of Claude Monet is the epitome of Impressionism. During his long life as a painter, he was tirelessly searching for new ways to depict the variability of light and colour in many various atmospheric variations and at different times of the day.

Monet was born in Paris, but grew up in Le Havre, on the Normandy coast, where his father ran a small grocery shop. He made his early artistic attempts with caricatures but then switched to open-air painting. Light pastel tones found their way onto his canvases. His paintings were repeatedly rejected by the official Paris Salon, but Monet and his friends Auguste Renoir and Alfred Sisley were not discouraged. On their joint excursions to Fontainebleau, they created magnificent fresh paintings in the open air that left the strict academic rules further and further behind.

However, severe financial crises hit Monet and his pregnant beloved Camille. During the Franco-Prussian War, Monet fled to London with his young family. After the war, they settled in Argenteuil. This small town outside Paris, picturesquely situated along the Seine, became the centre of attraction for a whole series of Impressionist painters: Edouard Manet, Gustave Caillebotte, Camille Pissarro, Auguste Renoir and Alfred Sisley met there to capture their impressions on canvas. In the group's first independent exhibition, a painting by Monet entitled "Impression. Sunrise" gave the art movement its name.

After Camille's death, Monet moved to Giverny with his second wife Alice. Here he was able to realise his lifelong dream of having his own garden, designed by himself: The flowering garden with its Japanese bridges and ponds full of water lilies inspired Monet constantly to create new, ever larger paintings showing the changing plant life as an overwhelming decorative harmony of nature.

This estate, which was bequeathed by Monet's son to the Academié des Beaux-Art in 1966 and is open to the public through the "Claude Monet Foundation" since 1980, was an inexhaustible source of inspiration for him. Today, the garden in Giverny is a destination valued many art lovers. Anyone who visits it feels immediately transported into the artist's pictorial world. In spring, colourful blossoms are all over the place, and while looking at the real water lily ponds that Monet painted over and over again, visitors are amazed at how precisely he captured the scenery, despite all his artistic idiosyncrasies. "On my garden I work continuously and with love, most of all I need flowers, always, always. My heart is always in Giverny. A separation from Giverny would hit me hard ... never again would I find such a beautiful place." And he never had to separate with his garden; Monet died in his beloved Giverny on 5 December 1926.

Monet has been called the inventor of colourful dreams beyond the visible. But he was much more, always seeking to realise his idea of painting in the open air - en plein air. For his painting, the decisive factor was always how he sees, not what he sees.

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Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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66 x 86 cm

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IN-944579 Picture "Beach Path Between Wheat Fields At Pourville" (1882), framed https://www.arsmundi.de/en/picture-beach-path-between-wheat-fields-at-pourville-1882-framed-944579/ https://www.arsmundi.de/thumbnails/99/2c/10/1691045645/944579_1_320x320.jpg InStock 490 EUR 944579 00000000000000000000000999892690 framed Sea/Seafaring Sea / Seafaring Giclée Special editions, Pictures blue, brown Sea/Seafaring Bilder Meer / Seefahrt 19th century/ca. 1900 19th century/ca. 1900 Giclée 19th Cent. - Impressionism, 19th century / around 1900 Pictures Monet, Claude Giclée {"extensions":[],"displayParent":null,"mainVariantId":"00000000000000000000000999892690","configuratorGroupConfig":null,"displayCheapestVariant":null,"displayMainVariant":null} Claude Monet 0 0 1 0 blau|braun kunstdruck|kunstdrucke,normandie|frankreich|küste|küstenlandschaft|strand Monet, Claude 0 1 1 0 0 1 1 1 2023-08-10 00:00:00 1067 500 500 0 IN-944579 1 /Kategoriebaum - ars mundi /Kategoriebaum - ars mundi/LP /Kategoriebaum - 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And so, he was constantly searching for landscapes that offered him not only interesting motifs but also special light conditions. In early 1882, he became fascinated by the region around the fishing village of Pourville near Dieppe in Normandy, where he set up his relay for about three months. Again, it was the special interplay of landscape and light that inspired him to create a whole series of remarkable works. <br />Original: 1882, oil on canvas, 58.4 x 78.1 cm, Denver Art Museum, USA. <br /><br />Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched on stretcher frame. Limited edition of 980 copies, numbered and signed with certificate. Framed in handmade, white-golden solid wood frame. Size 66 x 86 cm (h/w). ars mundi Exclusive Edition. 490 ars mundi Exclusive Edition | limited, 980 copies | numbered | signed | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 66 x 86 cm (h/w) 5 3 https://www.arsmundi.de/media/14/eb/77/1691045646/944579_2.jpg?ts=1691045646