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Max Pechstein:
Picture "Boat at Sunset" (1949), black and silver-coloured framed version
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
Picture "Boat at Sunset" (1949), black and silver-coloured framed version by Max Pechstein
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Picture "Boat at Sunset" (1949), black and silver-coloured framed version
Max Pechstein:
Picture "Boat at Sunset" (1949), black and silver-coloured framed version

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ars mundi Exclusive Edition | limited, 199 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 59 x 67 cm (h/w)

€640.00

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Product no. IN-949573

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Picture "Boat at Sunset" (1949), black and silver-coloured framed version
Max Pechstein: Picture "Boat at Sunset" (1949), black and...
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Detailed description

Picture "Boat at Sunset" (1949), black and silver-coloured framed version

Max Pechstein is considered among the most significant German artists. After the end of the Second World War, he became a professor at the Hochschule für Bildende Künste in Berlin and experienced numerous exhibitions and honours in his last decade of life both domestically and internationally. His life was eventful, yet marked by constants, such as his artistically extremely productive travels, particularly to the Baltic Sea, where many of his best-known works were created.

Another constant in Pechstein's work is the motif of the sun, which played a central role throughout his life. This is evident in his late work, where, as seen here on Usedom, it illuminates a blue boat.
Original: 1949, oil on canvas, 71 x 80.5 cm, privately owned.

Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched on stretcher frame. Limited edition of 199 copies, with numbered certificate. Framed in a black and silver-coloured solid wood frame. Size 59 x 67 cm (h/w). ars mundi Exclusive Edition. © 2024 Pechstein Hamburg/Berlin.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

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Portrait of the artist Max Pechstein

About Max Pechstein

1881-1955

Max Pechstein is considered today, as he was then, one of the most important representatives of German Expressionism. In spring 1906, he joined the artists' group "Die Brücke", which had been founded the previous year by Kirchner, Heckel, Schmidt-Rottluff and Bleyl. In the field of graphic art, he produced an oeuvre of over 850 woodcuts, lithographs and etchings in addition to his paintings.

What Tahiti was to Paul Gauguin, the Baltic Sea coast was to Max Pechstein: a paradise where he found peace, but above all great inspiration. From 1909 onwards, he travelled several times to Nidden on the Curonian Spit, where Lovis Corinth had worked as a young art student more than a quarter of a century earlier. However, when the Treaty of Versailles placed the Curonian Spit under Allied administration in 1920, the way there was blocked. In his own words, Pechstein had to "once again go in search of a spot of earth that was not overrun by painters, tourists and bathers". He found it in Leba, where from then on he spent his summers on a regular basis.

"For more than twenty years Max Pechstein went to the Baltic coast every summer, first to the Curonian Spit, then to Pomerania, which naturally connected him closely to our house. When he rented a room here with his first wife in 1921, he had no idea how attached he would soon feel to the small harbour town of Leba, for he fell in love with Marta Möller, the daughter of his innkeeper. The pristine nature with its beach lakes and the fishing boats in the harbour, the pipe in his mouth, tanned and the anchor tattooed, those things stayed with the passionate angler Pechstein until the end of his life, even when he and his wife could no longer go to Pomerania after the Second World War." (Dr. Birte Frenssen, Deputy Director at the Pomeranian State Museum in Greifswald)

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Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.

Artistic movement that replaced Impressionism in the early 20th century.

Expressionism is the German form of the art revolution in painting, graphic art and sculpture, with its precursors found in the works of Paul Cézanne, Vincent van Gogh, and Paul Gauguin at the end of the 19th century. The expressionists sought to reach the fundamental elements of painting. Using vibrant, unbroken colours in large areas, emphasising lines, and aiming for suggestive expressiveness, they fought against the artistic taste established by the bourgeoisie.

The most important representatives of Expressionism were the founders of "Die Brücke": Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke and others.

Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka. Among sculptors, Ernst Barlach is the most famous.

Fauvism is the French form of Expressionism.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

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IN-949573 Picture "Boat at Sunset" (1949), black and silver-coloured framed version https://www.arsmundi.de/en/picture-boat-at-sunset-1949-black-and-silver-coloured-framed-version-949573/ https://www.arsmundi.de/thumbnails/9f/0b/18/1718872612/949573_1_320x320.jpg InStock 640 EUR 949573 00000000000000000000000999897364 Framing 1 Sea/Seafaring 20th Century|20th Cent. - Expressionism Sea / Seafaring Giclée Special editions|Pictures blue|yellow Sea/Seafaring Bilder Meer / Seefahrt Pechstein, Max Giclée 20th century 20th century Pictures Giclée {"extensions":[],"displayParent":null,"mainVariantId":"00000000000000000000000999897364","configuratorGroupConfig":null,"displayCheapestVariant":null,"displayMainVariant":null} Max Pechstein 0 0 1 1 gelb|blau kunstdruck|kunstdrucke|strand Pechstein, Max 0 1 1 0 0 0 1 1 2024-06-20 00:00:00 549 500 500 0 IN-949573|IN-949574|IN-949663 1 /Kategoriebaum - artes /Kategoriebaum - artes/Pictures /Kategoriebaum - artes/Pictures/Recommendations /Kategoriebaum - 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After the end of the Second World War, he became a professor at the Hochschule für Bildende Künste in Berlin and experienced numerous exhibitions and honours in his last decade of life both domestically and internationally. His life was eventful, yet marked by constants, such as his artistically extremely productive travels, particularly to the Baltic Sea, where many of his best-known works were created. <br /><br />Another constant in Pechstein's work is the motif of the sun, which played a central role throughout his life. This is evident in his late work, where, as seen here on Usedom, it illuminates a blue boat.<br />Original: 1949, oil on canvas, 71 x 80.5 cm, privately owned.<br /><br />Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched on stretcher frame. Limited edition of 199 copies, with numbered certificate. Framed in a black and silver-coloured solid wood frame. Size 59 x 67 cm (h/w). ars mundi Exclusive Edition. © 2024 Pechstein Hamburg/Berlin. 640 ars mundi Exclusive Edition | limited, 199 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 59 x 67 cm (h/w) https://www.arsmundi.de/media/3f/3c/3f/1718873049/949573_2.jpg?ts=1718873049 https://www.arsmundi.de/media/cf/28/41/1718873049/949573_3.jpg?ts=1718873049