Picture "In the Castle Garden of Oberhofen" (1914), black and golden framed version
Picture "In the Castle Garden of Oberhofen" (1914), black and golden framed version
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ars mundi Exclusive Edition | limited, 980 copies | numbered | certificate | reproduction, Giclée on Hahnemühle real handmade watercolour paper | framed | passe-partout | glazed | size approx. 56 x 66 cm (h/w)
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Picture "In the Castle Garden of Oberhofen" (1914), black and golden framed version
August Macke (1887-1914) was a pioneer of the avant-garde in Germany at the beginning of the 20th century and a member of the artist group "Blauer Reiter". In 1913, Macke moved with his family to Oberhofen on Lake Thun in Switzerland. In 1914 he created this view of the castle park in the village. Macke captured the atmosphere of this magnificent garden in his unique imagery with strong and bright colours.
Original: 1914, watercolour, graphite on paper on cardboard, 23.2 x 28.9 cm, bequest Cornelius Gurlitt 2014, Kunstmuseum Bern.
High-quality Fine Art Giclée edition on Hahnemühle real handmade watercolour paper. Limited edition of 980 copies, numbered, with certificate. Motif size approx. 40 x 50 cm (h/w). Sheet size approx. 50 x 60 cm (h/w). Dust-proof glazed and framed in a noble black and golden solid wood frame with passe-partout. Size approx. 56 x 66 cm (h/w). ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
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About August Macke
1887-1914
Radiant yellow, bright red, strong blue: the intensity and unique luminosity of the colours are typical of August Macke's work. In his paintings, Macke shows an intact world and primarily focuses on people. Probably because of the influence of his origins and the Rhenish cheerfulness, both as a person and as a painter, August Macke is considered to be one of the most famous German painters of the 20th-century.
Macke was a member of the artists' association "Blauer Reiter" and the most important representative of Rhenish Expressionism. He is considered the greatest German colour talent of his generation. But his drawings, sketches and designs also prove that he is one of the great artists of the 20th-century.
August Macke, born in Meschede on 3 January 1887, began his studies at the Kunstgewerbeschule and Kunstakademie Düsseldorf but dropped out prematurely. On journeys to France, Italy and the Netherlands he studied mainly Impressionism. With the artists of the "Blaue Reiter", whom he had known since 1911, he exhibited several times and contributed to the eponymous almanack. His financial security was assured by his sponsor Bernhard Koehler, an uncle of his wife Elisabeth.
Macke had already found his style of unmistakable independence. Inspired by Cézanne's tectonic pictorial structure and Matisse's flatness, he combined analytical Cubism with the pure colourfulness of Fauvism. The prismatic colours were the principal elements with which August Macke composed his painting. In doing so, the artist used the colours like a musician uses the tones, chords and scales of colourful forms.
As early as 1910, his friendship with Franz Marc enabled him to spend time at Lake Tegernsee. Macke's sensitivity for light effects was already evident in the paintings he created there. This is heightened in the watercolour paintings he produced on the famous trip to Tunis he made with Paul Klee and Louis Moillet in 1914. Simplification of form and the luminosity of the colours characterise this series of works.
For the first time in 1913, Macke‘s work was exhibited together with the works of the European avant-garde at the Sonderbund exhibition in Cologne, which he co-organised.
From 1913 Macke lived in Switzerland with his wife Elisabeth and his son Walter. But the family's happiness only lasted for a short time. As soon as the First Wolrd War began, August Macke was killed on the battlefield in Champagne, France, on 26 September 1914. His friend Franz Marc commented: "The greedy war is a hero's death richer, but German art poorer by one hero."
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Artistic movement that replaced Impressionism in the early 20th century.
Expressionism is the German form of the art revolution in painting, graphic art and sculpture, with its precursors found in the works of Paul Cézanne, Vincent van Gogh, and Paul Gauguin at the end of the 19th century. The expressionists sought to reach the fundamental elements of painting. Using vibrant, unbroken colours in large areas, emphasising lines, and aiming for suggestive expressiveness, they fought against the artistic taste established by the bourgeoisie.
The most important representatives of Expressionism were the founders of "Die Brücke": Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke and others.
Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka. Among sculptors, Ernst Barlach is the most famous.
Fauvism is the French form of Expressionism.
Giclée = derived from the French verb gicler "to squirt, to spray".
The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.
The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.