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Vincent van Gogh:
Picture "Poppy Field" (1889), framed
Picture "Poppy Field" (1889), framed by Vincent van Gogh
Picture "Poppy Field" (1889), framed by Vincent van Gogh
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Picture "Poppy Field" (1889), framed
Vincent van Gogh:
Picture "Poppy Field" (1889), framed

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reproduction on paper | framed | passe-partout | glazed | size 76 x 90 cm (h/w)

€420.00

incl. tax plus Shipping

Product no. IN-945358.R1

Delivery time: approx. 2 weeks

Picture "Poppy Field" (1889), framed
Vincent van Gogh: Picture "Poppy Field" (1889), framed
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Detailed description

Picture "Poppy Field" (1889), framed

Original: 1889, oil on canvas, 72 x 91 cm, Kunsthalle Bremen.

High-quality edition on paper. Sheet size 68 x 84 cm. Framed in silver-coloured solid wood frame with passe-partout, glazed. Size 76 x 90 cm (h/w).

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

Portrait of the artist Vincent van Gogh

About Vincent van Gogh

1853-1890 - Pioneer of Expressionism

"This man will either go mad or he'll leave all the rest of us far behind," predicted Camille Pissarro about Vincent van Gogh, who was born in 1853 as the son of a priest. And indeed, the Dutchman became a precursor of modernism, ushering in Expressionism with his curved lines and bright colours. While during his lifetime van Gogh could hardly earn enough money from his paintings to buy paint and canvases and had to depend on financial support from his brother Theo, today his works regularly reach multi-million dollar prices at spectacular auctions.

Van Gogh (1853-1890) came from a Protestant pastor's family in Groot-Zundert in Brabant. He first came into contact with art through an uncle who was an art dealer. Initially van Gogh worked in branches of Goupil & Cie Gallery in The Hague, London and Paris, but also as a tutor in England and as a Methodist preacher. He first began to draw as a preacher coal-mining district of Borinage. Afterwards, he attended the Brussels Academy for a few months but mainly continued his education as an autodidact.

His first oil paintings depict poor peasants and workers. These pictures are very dark and painted with simple, broad lines. Via Antwerp, where he stayed for three months and became acquainted with the lightness and elegance of Japanese woodblock prints, he came to Paris. Here he discovered the sun and bright colours. He studied the Impressionists, Pointillists and early Symbolists and painted cityscapes, landscapes and portraits.

Seeking more light and freedom, he went to Arles in the south of France in 1888, where his friend Paul Gauguin followed him. Van Gogh planned to establish an artist commune there and invite all his painter friends to live and work with him, but the plan failed. After a dramatic confrontation with Gauguin, in which van Gogh injured his ear, he had to spend several long periods in hospitals due to mental breakdowns. These crises later intensified and eventually led to his suicide.

Van Gogh's most famous paintings were created during his time in Arles. All the luminosity of the sun can be seen in these paintings; fields, trees and clouds reflect the power of nature in an impressive way. For us viewers today, it is hard to imagine the strength that may have been needed to produce such joyful masterpieces in the midst of personal psychological misery. It remains van Gogh's secret - and it remains the secret of his late work to this day.

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The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.

Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.

Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.

Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.

Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.

However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.

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The object in the size ratio of 1.70 m

76 x 90 cm

76 x 90 cm

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IN-945358.R1 Picture "Poppy Field" (1889), framed https://www.arsmundi.de/en/picture-poppy-field-1889-framed-945358-r1/?_c=185b411b7151469a981b743b38d39c03 https://www.arsmundi.de/thumbnails/0c/f4/45/1724921821/945358.R1_1_320x320.jpg InStock 420 EUR 945358.R1 00000000000000000000000999895929 Other Techniques Other techniques Bilder 19th century/ca. 1900 Landscape 19th century/ca. 1900 green Other techniques 19th Cent. - Impressionism, 19th century / around 1900 Landscape Landscape Pictures Pictures Gogh, Vincent van Landschaft Vincent van Gogh 0 0 1 0 grün 945358R1|frankreich|provence Gogh, Vincent van 0 0 0 0 0 0 0 1 2024-08-29 00:00:00 546 250 250 0 1 /Kategoriebaum - artes /Kategoriebaum - artes/Pictures /Kategoriebaum - artes/Pictures/Motifs /Paintings /Paintings/All paintings /Kategoriebaum - ars mundi /Kategoriebaum - ars mundi/Pictures /Kategoriebaum - ars designio /Kategoriebaum - ars designio/Kunstwerke /Kategoriebaum - ars designio/Kunstwerke/Bilder /Kategoriebaum - ars mundi/Artists A-Z /Kategoriebaum - 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Sheet size 68 x 84 cm. Framed in silver-coloured solid wood frame with passe-partout, glazed. Size 76 x 90 cm (h/w). 420 reproduction on paper | framed | passe-partout | glazed | size 76 x 90 cm (h/w)