Sculpture "Torso of Adele" (original size), bonded bronze version
Sculpture "Torso of Adele" (original size), bonded bronze version
Quick info
museum replica | bonded bronze | handmade | signed | height 48 cm | weight approx. 8.5 kg
Detailed description
Sculpture "Torso of Adele" (original size), bonded bronze version
"Boldness of light - modesty of shadow" - Rodin composed this dialogue of elevations and depressions into the "skin" of his sculptures. Rodin was far ahead of his time with his modern stylistic idiom, which abandoned the monument-like pose of the academic style and brought mental constitutions to life on moving surfaces.
Original: Musée du Louvre, Paris / Nelson A. Rockefeller Collection, New York. Painted in 1882.
Polymer ars mundi museum replica, cast by hand. With bronzed surface. Original size, height 48 cm incl. diabase base, signed in the casting. Weight approx. 8.5 kg.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Auguste Rodin
1840-1917 - the most important sculptor of the transitional period between the 19th to the 20th-century.
François-Auguste-René Rodin is considered a brilliant innovator of sculpture and ranks alongside Praxiteles, Michelangelo, Cellini and Canova as one of the greatest sculptors of all time. His sculptural oeuvre is so extensive that no complete catalogue of his works has yet appeared. It would certainly cover several hundred pages.
Because he had been rejected three times by the Paris School of Art, Rodin studied at the School of Applied Arts.
Rodin was an ardent admirer of beauty. He was mesmerised by the human body, which he immortalised again and again in his "vérité fugitive", the fleeting moment: lively, vibrant beauty that took shape under his creative hands. Whatever Rodin created with his hands radiated tremendous vitality and untamed power.
His sculptures, with their multiply broken surfaces, ushered in a new era of sculpture. His sculptures, with their multiply broken surfaces, ushered in a new era in sculpture. The genius of Rodin's modern stylistic idiom, which was expressed using elements of Impressionism, abandoned the monument-like pose of the academic sculpture and brought emotional states in dynamic surfaces to life, had yet to be recognised. "Boldness of light - modesty of the shadow" - Rodin composed a dialogue of rises and falls onto the "skin" of his sculptures. Flickering highlights and mysterious shadows animate his figures and bring them to life: "Sculpture is the art of representing forms through the shift of light and shadow."
The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.
Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.
Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.
Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.
Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.
However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.
Bronze powder is polymer-bonded. Special polishing and patination techniques give the surface of the casting an appearance similar to the authentic bronze.
A true-to-the-original reproduction of an artwork in the same size and with the best possible material and colour uniformity.
The mould is usually taken directly from the original so that the replication reproduces even the finest details. After casting the replication, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.
A replication of ars mundi is a recognizable copy of the original.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.