Quick info
museum replica | cast | height 112 cm | weight approx. 50 kg
Detailed description
Standing Buddha
This cult statue, created for worship and veneration, originates from one of the main centres of early Buddhist stone statues. It shows the deified world conqueror in perfect spiritual concentration.
Original: Staatliche Museen zu Berlin - Prussian Cultural Heritage, Museum für Indische Kunst. Takht-i-Bâhi, Gandhara, 2nd/3rd century, stone.
Polymer ars mundi museum replica cast by hand, height incl. base 112 cm. Weight approx. 50 kg.
The art of the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh and Sri Lanka, consists of a variety of art forms depending on landscape and religion. Indian art is one of the most important complexes of world art and is religiously determined. One of its most outstanding achievements includes the illustration of intimate contemplation but also sensual joie de vivre. There are four culturally different phases:
The Harappan culture of north-western and northern India in the 3rd - 2nd century B.C., the periods of Indian antiquity up to the Middle Ages, the Indo-Islamic periods beginning with the Muslim conquests from the 12th and 13th centuries and the modern period, that initiates the "Hindu Renaissance" and finally led to the modernity of an international flair.
The Harappan culture (ca. 2500 - 1500 B.C.) is the first advanced civilization on Indian territory.
The renowned Brahmin caste society was formed after the immigration of the Aryan tribes in the Vedic period from about 1200 B.C. and was the basis of the Hindu and Buddhist religions of India. This is where finely painted pottery was found alongside the first iron implements.
The Mauryan Period (4th - 2nd century B.C.) marked the early phase of state formation, which also coincided with the emergence of Buddhism. During this period, the first monumental architectonic and sculptural works, animal figures of the highest sculptural maturity were created. The artistic styles of stupas developed in the early Buddhist and early Hindu periods (around 100 - 75 B.C.). The Buddhist art styles forego the human representation of Buddha whereas in Hinduism of deities were created from the very beginning.
The early Hindu and Buddhist image worship fully developed in the Satavahana period from the 2nd - 3rd century A.D.
The Gupta period (320 - 6th century) saw the emergence of the Buddha image with great inner composure. Hindu art produced representations of Shiva and Krishna with soft modelling and well-balanced proportions.
Medieval periods (7th - 13th century). The common religious traditions of India proved to be a culturally unifying foundation. The Hindu triple deity Vishnu, Shiva and Brahma were the subjects of artistic creation. Devi and Shakti attained a special position as female cosmic forces in Tantra art. The esoteric Tantrayana movement, in the Pantheon of which the Bodhisattvas and Taras dominated, was formed in Buddhism towards the end of the 1st millennium. The temple buildings of that time, decorated with figurative reliefs, are impressive.
Indo-Islamic art developed from the 12th century onwards, however, remained dominated by Indian architects. The Mughal dynasty, founded by Babur in 1526, started to develop monumental fortress, palace and garden architecture, that was characterised by the use of precious materials (red sandstone, white marble).
Collective term for all casting processes that ars mundi carries out with the help of specialised art foundries.
Stone casting
Similar to artificial marble, with the difference that the substitute stone in powder form is used instead of marble powder.
Bonded Bronze (Cold-Cast-Bronze)
Bronze powder is polymer-bonded. Special polishing and patination techniques give the surface of the casting an appearance similar to the bronze.
Imitation Wood
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material that features typical wood characteristics: density, workability, colour and surface structure.
Ceramic Mould Casting
Ceramic mould casting usually requires the use of casting clay, which is then fired and optionally glazed. Instead of the usual rubber moulds, plaster moulds are often used in ceramic casting and porcelain production.
Cast Bronze (Lost-Wax Casting)
For the cast bronze, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.
A true-to-the-original reproduction of an artwork in the same size and with the best possible material and colour uniformity.
The mould is usually taken directly from the original so that the replication reproduces even the finest details. After casting the replication, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.
A replication of ars mundi is a recognizable copy of the original.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.