Sculpture "Falcon", bronze version
Sculpture "Falcon", bronze version
Quick info
ars mundi Exclusive Edition | limited, 99 copies | numbered | signed | edition in bronze | patinated | polished | size 12 x 33.5 x 22.5 cm (w/h/d) | weight 4.5 kg
Detailed description
Sculpture "Falcon", bronze version
Thomas Schöne, born in Westphalia, Germany, combines the precise, realistic form of his figure with a spark of idealism that, in a sense, breathes soul into it. With his art, he reflects on the struggle between good and evil. His sensitivity spurs the versatile artist on to this technical and figurative feat.
Figure in bronze. Patinated and polished by hand. This limited edition of 99 copies is signed and individually numbered. Cast by hand using the Lost-Wax-Process. Size 12 x 33.5 x 22,5 cm (w/h/d). Weight 4.5 kg. ars mundi Exclusive Edition.
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About Thomas Schöne
The versatile artist was born in 1961 in Westphalia, Germany, and now lives in Penzberg. He became a widely known artist in the European cultural scene already at a young age through his book illustrations and productions and exhibitions in Bilbao, San Sebastian, Düsseldorf, Gütersloh and Munich.
His work is supported by his Christian faith, which repeatedly spurs him on to artistic excellence. Thomas Schöne's sculptures, for example, are characterised by a specific passion, borne by masterly technique and deep faith. That produces works of a rarely encountered inspirational artistic sensibility. The internationally acclaimed sculptor, graphic artist and painter expressively stages the drama of the invisible world's struggle between good and evil, light and dark.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Term for an art object (sculpture, installation), which is produced in multiple copies in a limited and numbered edition according to the artist‘s will.
Artist's multiples have been called the most accessible and affordable art on the market.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.