Ute Meyer:
Picture "Evening Primrose and Autumn Crocus" (2022) (Original / Unique piece), on stretcher frame
Proportional view
Picture "Evening Primrose and Autumn Crocus" (2022) (Original / Unique piece), on stretcher frame
Ute Meyer:
Picture "Evening Primrose and Autumn Crocus" (2022) (Original / Unique piece), on stretcher frame

Quick info

original painting | signed | oil on canvas | on stretcher frame | size 100 x 80 cm (h/w)

Product no. IN-951144.KR
Frame variant
Picture "Evening Primrose and Autumn Crocus" (2022) (Original / Unique piece), on stretcher frame
Ute Meyer: Picture "Evening Primrose and Autumn Crocus" (...

Detailed description

Picture "Evening Primrose and Autumn Crocus" (2022) (Original / Unique piece), on stretcher frame

This picture was painted in September in the artist's own garden. In the foreground, bright yellow evening primroses shine next to delicate purple autumn crocuses. On the right side of the picture, the small pink flowers of the cranesbill can be seen. The edge of the pond is lined with round, grey field stones. White clouds and blue sky reflect in the pond, as does the dark green foliage of the trees. The oil paint is applied very thickly with palette knives. This gives the picture plasticity and depth.

Original painting 2023, hand-signed. Oil on canvas, stretched on stretcher frame. Size 100 x 80 cm (h/w).

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

Portrait of the artist Ute Meyer

About Ute Meyer

Ute Meyer (born 1957 in Oldenburg, Germany) grew up in Husum on the German west coast. Since the 1990s, her studio has been in Flensburg on the east coast. During the 1980s, she completed a degree in art education. Since the beginning of the 2000s, the artist has showcased her work nationally and internationally at exhibitions, fairs, and galleries. Her pictures can be found among collectors both in Germany and abroad.

"One of my focuses is plein air painting. I work in my own garden or by the Danish Baltic Sea. Over the years, I have developed a method of working outdoors that allows me to finish large-format canvases in a single session while capturing the mood of the day. The constantly changing weather and light conditions influence, either delay or speed up my painting process and composition. This way of painting is about capturing the immediate impression, the mood or atmosphere of the scene in a fresh and intuitive way, similar to how a musician reads a piece of music from the sheet."

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