Picture "Quo Vadis? No. 3, Chameleon" (2022) (Original / Unique piece), framed
Picture "Quo Vadis? No. 3, Chameleon" (2022) (Original / Unique piece), framed
Quick info
original painting | signed | oil on canvas | on stretcher frame | framed | size 105 x 105 cm
Detailed description
Picture "Quo Vadis? No. 3, Chameleon" (2022) (Original / Unique piece), framed
Original painting 2022, signed by hand. Oil on canvas, stretched on stretcher frame. Stretcher frame size 100 x 100 cm. Framed in silver-coloured solid wood shadow gap frame. Size 105 x 105 cm.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Uwe Fehrmann
Even as a child, Uwe Fehrmann (born in 1962 in Berlin) loved to paint. In his youth, he trained in various painting and drawing techniques and soon joined an artists' group. After graduating high school, Fehrmann studied at the Humboldt University in Berlin. His studies eventually took him on trips to Italy and France. Later, he began to work full-time as an artist in Hamburg. Initially, he worked on various art projects, mostly large-format, naturalistic paintings, in Germany and abroad, as well as for theatre, film and television. Over time, he developed a true passion for paintings that are beautiful but also thought-provoking and can contain different levels of reality.
"I feel very comfortable working with my subjects, I love the colours and the vibrancy of painting because here I can live out all my creative fantasies and ideas. My pictures are meant to convey joy and reflect on life."
A one-of-a-kind or unique piece is a work of art personally created by the artist. It exists only once due to the type of production (oil painting, watercolour, drawing, lost-wax sculpture etc.).
In addition to the classic unique pieces, there are also the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a genre of modern art that aims to create an aesthetic effect through series, repetitions, and variations of the same objects or themes or a system of constant and variable elements or principles.
The historical starting point is considered to be Claude Monet's "Les Meules" (1890/1891), where, for the first time, a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.