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Wassily Kandinsky:
Picture "Murnau - Garden II" (1910), framed
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
Picture "Murnau - Garden II" (1910), framed by Wassily Kandinsky
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Picture "Murnau - Garden II" (1910), framed
Wassily Kandinsky:
Picture "Murnau - Garden II" (1910), framed

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ars mundi Exclusive Edition | limited, 499 copies | reproduction, Giclée print on canvas | on stretcher frame | framed | size 73.2 x 58.2 cm (h/w)

€328.00 % €440.00 (25.45% saved)

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Product no. IN-801845

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Picture "Murnau - Garden II" (1910), framed
Wassily Kandinsky: Picture "Murnau - Garden II" (1910), f...
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Detailed description

Picture "Murnau - Garden II" (1910), framed

After years of unsteady stays in the European and Russian metropolises, Wassily Kandinsky found his peace and perseverance in Murnau, a small town in the foothills of the Alps. Here he settled with his partner, the Munich painter Gabriele Münter. She accompanied him in the decisive years of his breakthrough with both approval and criticism.

Kandinsky's pictures of this Murnau phase are mostly built up of large solid blocks of bright colours applied in dots, which oppose each other in strong contrasts of light and dark and cold and warm. Often, evenly applied dabs and blots alternate, giving the pictures a restless, flickering and garish colourfulness. The representational subject almost disappears under the burgeoning flood of colour.
Original: Oil on cardboard, privately owned.

High-quality reproduction, Giclée print on canvas and traditionally stretched on a wooden frame. In handmade gallery frame. Limited edition of 499 copies. Size 73.2 x 58.2 cm (h/w). ars mundi Exclusive Edition.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de

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Average rating of 5 out of 5 stars

(2)

Average rating of 5 out of 5 stars

Frame variant: Framing 1

Das Bild gefällt uns sehr gut.

Average rating of 5 out of 5 stars

Frame variant: Framing 1

Ein wunderschönes Bild , auf Leinwand sieht es phantastisch aus.

Portrait of the artist Wassily Kandinsky

About Wassily Kandinsky

1866-1944, abstract expressionist, co-founder of the artists' group "Der Blaue Reiter".

Like no other, Kandinsky wrote the "alphabet of 20th-century art". Through his abstract painting, he was able to convey the original power of colour and composition without being distracted by the depiction of objects. In his view, the mystery of LIFE could only be captured and represented through the abstract collision of colour and graphic form.

Wassily Kandinsky was born in Moscow in 1866 and died in Neuilly-sur-Seine, France in 1944. Despite his success as an economist and doctor of law he decided to pursue an artistic career and attend art school in Munich in 1896. In 1901, Kadinsky founded an art school called "Phalanx", where he met Gabriele Münter, who later became his companion during his years in Munich. Numerous journeys through Europe and to Tunis and the various impressions he gained while travelling shaped his pictorial expression. Gabriele Münter bought a house in Murnau in 1909, which allowed the couple to spend a longer period of time in the mountain town and Munich.

Kandinsky's early Munich paintings were influenced by Art Nouveau and Russian folk art, whose fairy-tale themes lingered in his works for a long time. The reverse glass paintings by the co-founder of the "Neue Künstlervereinigung München" of 1909 and the "Blaue Reiter" of 1911 reflect his impressions of the folk Bavarian art tradition.

During the First World War, the Russian returned to Moscow. Back in Germany in 1922, he played a decisive role working and teaching at the Bauhaus in Weimar and Dessau. In the end, however, Kandinsky was drawn to Paris where he remained until his death in 1944. From 1933, he lived in the metropolis on the Seine with his wife, whom he had married in Russia.

His encounter with the Russian Constructivists left its mark on Kandinsky's work which can be seen in the geometrisation and lines that are in dynamic tension with each other. In his theoretical writings on art, he expounded the fundamental theory of harmony in abstract art.

The viewer not only discovers the close connection between music and painting through his paintings, but it is also underlined by the composer Kandinsky: "Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul..."

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The German artists‘ association "Der Blaue Reiter" ("The Blue Rider") was founded in 1911 in Munich by Wassily Kandinsky and Franz Marc during the German Expressionist period.

The name was originally the title of a painting by Kandinsky and also the title of the almanac published by Kandinsky and Marc. Members included Paul Klee and August Macke, among others. The group criticised the prevailing art canon as too academic and elitist, demanding more openness and diversity. The artists turned away from realism and began to paint expressively in an increasingly abstract style using strong colours.

The group disbanded at the beginning of World War I.

Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.

Artistic movement that replaced Impressionism in the early 20th century.

Expressionism is the German form of the art revolution in painting, graphic art and sculpture, with its precursors found in the works of Paul Cézanne, Vincent van Gogh, and Paul Gauguin at the end of the 19th century. The expressionists sought to reach the fundamental elements of painting. Using vibrant, unbroken colours in large areas, emphasising lines, and aiming for suggestive expressiveness, they fought against the artistic taste established by the bourgeoisie.

The most important representatives of Expressionism were the founders of "Die Brücke": Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Otto Mueller and Franz Marc, August Macke and others.

Masters of Viennese Expressionism are Egon Schiele and Oskar Kokoschka. Among sculptors, Ernst Barlach is the most famous.

Fauvism is the French form of Expressionism.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

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73,2 x 58,2 cm

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IN-801845 Picture "Murnau - Garden II" (1910), framed https://www.arsmundi.de/en/wassily-kandinsky-picture-murnau-garden-ii-1910-framed-801845/ https://www.arsmundi.de/thumbnails/b7/8c/44/1595404326/801845_1_320x320.jpg https://www.arsmundi.de/thumbnails/b7/8c/44/1595404326/801845_1_320x320.jpg InStock 328 EUR 801845 00000000000000000000000999828575 Framing 1 20th Century|20th Cent. - Expressionism Giclée Special editions|Pictures Bilder multicoloured Landscape Kandinsky, Wassily Giclée 20th century 20th century Landscape Landscape Pictures Giclée Landschaft {"extensions":[],"displayParent":null,"mainVariantId":"00000000000000000000000999828575","configuratorGroupConfig":null,"displayCheapestVariant":null,"displayMainVariant":null} Wassily Kandinsky 0 0 1 1 bunt kunstdruck|kunstdrucke|bayern Kandinsky, Wassily 0 1 1 0 0 1 1 1 2024-07-10 00:00:00 500 500 500 0 IN-801845|IN-949625 1 /Pictures /Artists A-Z /Artists A-Z/Detailseite (Produktlisting) /Recommendations /Recommendations/Gift Ideas /Recommendations/Gift Ideas/Available for Immediate Delivery /Pictures/Techniques /Pictures/Motifs /Pictures/Motifs/Landscape /Pictures/Epochs /Pictures/Epochs/Expressionism /LP /LP/Blauer Reiter /Pictures/Techniques/Giclée /Recommendations/Art Sale /Pictures/All Pictures /LP/KT /intern /LP/Objects Available for Immediate Delivery /Recommendations/Exclusive Editions /LP/KT/Bilderkatalog /Recommendations/Gift Ideas/200 EUR - 500 EUR /intern/Produkte /LP/Alle Objekte 110002d4ac55449bb1be0348d71f2396 185b411b7151469a981b743b38d39c03 3d827f4255cb437ebb1c730e93118388 40aa17d90d294482839b164bf0a93a02 4881937585c84000a559222d8866108a 4bfe58946e0148a08b59ff7df6c9e3e0 5901dd2708df4932807ec54e2c867ec4 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6348b526c7b946cbac3a6bf68dd53a66 6b559e0bb5324099bc41663fdbcc80e5 83b04656fff64f73a6c884a96f9d7d98 88dfe7ddac2a4a439c55836deca17f86 930ef9da84e8423ca0cf519cb8a580b1 96ed9bdfc8f2485c87a9dd1db8deb05b 983bd433d5ed47a88825d6f413456cae 9c1cbd6ad7bd470d9770db0c496c7a56 b6d0490f8a9b4a57831647ea368b66b4 d766df25bb924e2f9c4006891fb54abe d858a91231be4522950a498a44b40989 db6148ea99ca4fa0b1aa92397c1c4711 ed10bf9efea84ba8ba76d3c6e437c648 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 db6148ea99ca4fa0b1aa92397c1c4711 9c1cbd6ad7bd470d9770db0c496c7a56 983bd433d5ed47a88825d6f413456cae 110002d4ac55449bb1be0348d71f2396 6316309f502147a288172856026d5fc8 5ee7d22ed1da476fa00425f0550481fd 6b559e0bb5324099bc41663fdbcc80e5 40aa17d90d294482839b164bf0a93a02 930ef9da84e8423ca0cf519cb8a580b1 96ed9bdfc8f2485c87a9dd1db8deb05b Wassily Kandinsky After years of unsteady stays in the European and Russian metropolises, Wassily Kandinsky found his peace and perseverance in Murnau, a small town in the foothills of the Alps. Here he settled with his partner, the Munich painter Gabriele Münter. She accompanied him in the decisive years of his breakthrough with both approval and criticism. Kandinsky's pictures of this Murnau phase are mostly built up of large solid blocks of bright colours applied in dots, which oppose each other in strong contrasts of light and dark and cold and warm. Often, evenly applied dabs and blots alternate, giving the pictures a restless, flickering and garish colourfulness. The representational subject almost disappears under the burgeoning flood of colour. Original: Oil on cardboard, privately owned. High-quality reproduction, Giclée print on canvas and traditionally stretched on a wooden frame. In handmade gallery frame. Limited edition of 499 copies. Size 73.2 x 58.2 cm (h/w). ars mundi Exclusive Edition. 440 ars mundi Exclusive Edition | limited, 499 copies | reproduction, Giclée print on canvas | on stretcher frame | framed | size 73.2 x 58.2 cm (h/w) 5 2 https://www.arsmundi.de/media/d3/02/b1/1676363460/801845_2.jpg?ts=1676363460