Leonardo da Vinci:
Picture "Mona Lisa (La Gioconda)" (c. 1503/05), framed
Proportional view
Picture "Mona Lisa (La Gioconda)" (c. 1503/05), framed
Leonardo da Vinci:
Picture "Mona Lisa (La Gioconda)" (c. 1503/05), framed

Quick info

limited, 499 copies | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 73 x 51 cm (h/w)

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Product no. IN-886728

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Frame variant
Picture "Mona Lisa (La Gioconda)" (c. 1503/05), framed
Leonardo da Vinci: Picture "Mona Lisa (La Gioconda)" (c....

Detailed description

Picture "Mona Lisa (La Gioconda)" (c. 1503/05), framed

Da Vinci's "Mona Lisa" is probably the most famous smile in the world. Now you can let the eyes of the Mona Lisa follow you in all directions in your own home.
Original: c. 1503/05, oil on poplar wood, 76.8 x 53 cm, Paris, Musée du Louvre.

Reproduced using the Fine Art Giclée process directly onto artist's canvas and mounted on a stretcher frame for brilliant, authentic reproduction. Limited edition of 499 copies, with certificate. Framed in a handmade, golden solid wood frame. Size 73 x 51 cm (h/w).

Portrait of the artist Leonardo da Vinci

About Leonardo da Vinci


Leonardo da Vinci is considered the greatest universal genius in the history of art and science. His inventions, works of art and studies, but not forgetting his mysterious life, continue to interest science and literature to this day.

The universal genius Leonardo da Vinci, the epitome of the Renaissance man, was a painter, sculptor, builder, writer, art theorist, naturalist, inventor and technician all in one. Even though in primary school the illegitimate child had barely learned how to read, write and do arithmetic, thanks to his unique talent, he soon set himself up early for an apprenticeship as a painter and sculptor with Andrea del Verrocchio and tried to gain employment at one of the courts. Temporarily he succeeded in working for the Duke of Milan or Cesare Borgia, the Pope or the French King.

His life was filled with the study of humanities and the universal urge for knowledge and action that was characteristic of his epoch. Through incessantly observing, recording and analysing, he created a huge oeuvre as a scientist and technician alone. For example, he studied the geological formation and cloud formation, the flow of water and air, the flight of birds and apparatus in order to enable human flight.

His work as a visual artist, on the other hand, is smaller but occupies a very high rank, such as the "Last Supper" or the "Mona Lisa".

His artistic striving for compositions with moderately calm geometric basic forms prepared for the High Renaissance. His later approaches to grasping the world of appearance in its transformation through air and light even point ahead to Baroque painting.