Max Liebermann:
Picture "Munich Beer Garden" (1884), framed
Proportional view
Picture "Munich Beer Garden" (1884), framed
Max Liebermann:
Picture "Munich Beer Garden" (1884), framed

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ars mundi Exclusive Edition | limited, 499 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 75 x 54 cm (h/w)

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Product no. IN-820197.R1

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Picture "Munich Beer Garden" (1884), framed
Max Liebermann: Picture "Munich Beer Garden" (1884), framed


Detailed description

Picture "Munich Beer Garden" (1884), framed

On a sunny spring day in Munich in 1884, the beer gardens with their typically hospitable and idyllic atmosphere invited visitors to linger. Liebermann could not escape this either and was inspired by the colourful hustle and bustle around him.
Original: Oil on wood, Neue Pinakothek Munich.

High-quality reproduction using the Fine Art Giclée process, worked by hand on artist's canvas and traditionally stretched on a wooden stretcher frame. The surface of the motif with tactile and visible canvas structure underlines the painting-like effect. Sealed with artist's varnish. In handmade real wood gallery frame in black with gold edge, matt patinated. Limited edition of 499 copies, with a numbered certificate on the back. Size 75 x 54 cm (h/w). ars mundi Exclusive Edition.

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Portrait of the artist Max Liebermann

About Max Liebermann


Together with Lovis Corinth and Max Slevogt, Max Liebermann formed the triumvirate of German Impressionism and received numerous honours throughout his life. Through his commitment to elevating the life and work of ordinary people to art in unpretentious simplicity meant that Liebermann initially had to fight for recognition.

Liebermann only became a celebrated painter at the turn of the century when he increasingly devoted himself to motifs and scenes from the life of the upper-middle classes. He was an appointed professor at the Royal Academy and a member of the jury at the Academy exhibitions in 1897. In 1899 he founded the Berlin Secession and made it the most important German art institution. In 1920 Liebermann became president of the Prussian Academy and in 1932 its honorary president.

Because of his Jewish ancestry, he was ostracised by the Nazis and forced to resign from all offices. While watching the Nazis celebrate their victory by marching through the Brandenburg Gate from the window of his flat Liebermann supposedly said: "I can't eat as much as I want to vomit." In 1935 he died at the age of 87 after a long illness.

For Max Liebermann, nature was always a man-made (and man-inhabited) paradise. He found his motifs in gardens, parks and in bourgeois places of amusement. Liebermann is a master of staged light, which he lets fall on his scenes, often filtered through a canopy. The individual beams of light that penetrate to the ground are striking and have gone down in art history as "Liebermann's sunspots".