Christine Röhrl-Lippert:
Picture "Hatched Out of an Egg", framed
Proportional view
Picture "Hatched Out of an Egg", framed
Christine Röhrl-Lippert:
Picture "Hatched Out of an Egg", framed

Quick info

ars mundi Exclusive Edition | limited, 199 copies | numbered | signed | reproduction, Giclée print on handmade paper | solid wood frame | glazed | size 32 x 45 cm

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Product no. IN-746337.R1

Delivery time: approx. 2 weeks

Picture "Hatched Out of an Egg", framed
Christine Röhrl-Lippert: Picture "Hatched Out of an Egg",...

Detailed description

Picture "Hatched Out of an Egg", framed

This voluptuous female figure appears like a "freshly hatched chick" with a feather in her hand. Lovely, delicate, sweet, bulbous. The bathing cap is reminiscent of the egg - a symbol of perfection.

ars mundi Exclusive Edition: Fine Art Giclée print on handmade paper. The colours are particularly brilliant due to the high resolution and the excellent paper quality. Limited edition, 199 copies, numbered and signed by the artist. Sheet size approx. 30 x 43 cm. In a sophisticated solid wood frame. Dustproof glazed. Size 32 x 45 cm.

About Christine Röhrl-Lippert

born in 1960, graphic artist and painter, sculptor

Christine Röhrl-Lippert, born in 1960, has made women of stature her subject: Female figures in voluptuous, round forms who seem supremely aware of the impact of their femininity. Röhrl-Lippert not only transforms them into paintings, but she also makes her heroines appear three-dimensional.

As a balance to her work as a graphic designer, Christine Röhrl-Lippert began with her first voluminous sculptures of women in clay. Women not only became her central motif but a projection surface for earthiness, strength and energy. The curves, forms and the suggested heaviness of the female figures in Röhrl-Lippert's paintings take up elements of her sculptures. For the artist, joie de vivre and lust for life play a primary role, independent of social norms. Her female figures eventually develop an increasingly fascinating life of their own.

Röhrl-Lippert is fascinated by the contradictions and illusions in her work: "Formal heaviness is neutralised by the lightness of the painting style and the playfulness of the elements".

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