Tuscan Madonna with Child
Tuscan Madonna with Child
Quick info
museum replica | artificial marble | handmade | suspension device | size 27 x 16.5 cm
Detailed description
Tuscan Madonna with Child
The intimate Madonna facing the boy Jesus as a young patrician woman in Florentine costume solemnly embodies the feminine ideal of a period on the threshold of the modern age. Original: National Gallery of Art, Washington. Italy, 15th century, after a bas-relief attributed to Desiderio da Settignano (c. 1430-1464), marble. Polymer ars mundi museum replica, cast by hand. With suspension device. Size 27 x 16.5 cm.
Customer reviews
Sehr schönes Relief, sehr sorgfältig und sicher verpackt.
Marble powder is polymer-bonded. Artificial marble is characterised by a fine white surface that appears very similar to marble.
A sculptural technique where the artwork is cut in from a stone or wooden surface and not modelled.
There are different degrees of relief depending on the degree of projection. The range includes low relief/bas-relief and high relief. The sunk relief is a common form of reliefs in Ancient Egypt, in which the depicted scenes were cut into the stone or wood surface.
Among the most famous reliefs are the works of the Florentine master Lorenzo Ghiberti. Among other artworks, he created the pair of gilded bronze doors of the Baptistery in Florence, called by Michelangelo the "Gates of Paradise".
(Rebirth). The term describing art from around 1350 until the 16th century.
A mindset that developed in Florence in the late 14th century that was retrospectively classified as rebirth of the classical ideals of Greek and Roman antiquity. During the 15th and 16th centuries, the Renaissance spread first over Italy and then all over Western Europe and determined the entire artistic creation. Brilliant artists such as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and placing the human being in the centre of all thinking.
Renaissance experienced its heyday in literature through dramatic works and poems of William Shakespeare.
At the end of the 16th century, the Renaissance had to give way to the opulence of baroque, before its ideas experienced a rebirth in the classicism of the 18th century.
A true-to-the-original reproduction of an artwork in the same size and with the best possible material and colour uniformity.
The mould is usually taken directly from the original so that the replication reproduces even the finest details. After casting the replication, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.
A replication of ars mundi is a recognizable copy of the original.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.