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Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble

Quick info

replica | artificial marble | original size | height 90 cm | weight 75 kg

€3,307.56

incl. tax plus Shipping

Product no. IN-061786

Delivery time: approx. 2 weeks

Dionysia Ornamental Vase (original size), artificial marble
Dionysia Ornamental Vase (original size), artificial marble
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Detailed description

Dionysia Ornamental Vase (original size), artificial marble

The god Dionysus, also known as Bacchus, is considered the inventor of wine and was one of the most popular gods of antiquity as a symbol of joie de vivre. The nymph-like maenads and buck-legged satyrs danced alongside him. Place of discovery: Monte Cognuolo. Original: British Museum, London. Neo-Attic, 2nd century BC.

Replica in weatherproof polymer marble. Original size. Height 90 cm, weight 75 kg.

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

Minoan Culture, Mycenean Culture
Cretan art is also called Minoan art, named after the legendary King Minos.

Cretan-Minoan art is the art of Crete from about 2900 to 1600 B.C., the Mycenaean art from Crete and the Greek mainland from about 1600 to 1100 B.C., continuing in Crete until 1200 B.C.

In the shaft graves of Mycenae, which reached their peak in the 14th and 13th centuries B.C., the German archaeologist Heinrich Schliemann discovered significant evidence of this culture. One preserved monument is the Lion Gate from the 13th century B.C.

Splendidly decorated vases are the artworks of ceramics that have best survived the turmoil of millennia. The famous Snake Goddess (around 1500 B.C.) is a faience statuette that has been recovered from the ruins of the Repositories Temple of the Knossos palace. Bronze vessels from that time were primarily used in the household. Daggers, swords, and armour were also made of bronze.

The jewellery of the Cretan-Mycenaean women was made of gold, rock crystal, lapis lazuli, ivory, faience, and glass.

Geometric Culture
As a continuation of Late Mycenaean art, geometric art developed on the Greek mainland towards the end of the 11th century B.C. Replacing the naturalistic Crete-Mycenaean forms, geometric art introduced a mathematically ordered style. Another new feature was the use of the ruler and the compass. Jewellry from this time is also based on strict geometric principles.

Archaic Culture
Temple architecture in the 8th and 7th century B.C. developed significantly. Initially, mudbrick and wood were used for building, later the forms were transferred to stone. A monumental style developed in sculpture. Materials such as marble, bronze, clay, and limestone were used. The nude young male figure type was used to represent gods, heroes, and victorious athletes. However, gods or other consecration figures were portrayed as clothed.

In addition to freestanding sculptures, relief art developed, which was preferably used for decoration of temples.

Statuettes made of clay and bronze first appeared in the 6th century B.C., depicting humans, animals, and mystical beings, all of high quality.

Classical Culture (5th and 4th century B.C.)
The beginning of the Greek classical art coincides with the time of the great statesman Pericles. Because of his democratic politics, Athens became the centre of cultural life and artistic creation in ancient Greece.

Classic architecture refined the shapes and proportions to perfection. The Temple of Zeus at Olympia, the Parthenon on the Acropolis of Athens, and other major temple buildings were built in that time.

In sculpture, the time of the Severe style began. The rigid forms of the earlier period were outdated, the human body was studied anatomically. Top works of the Severe style include the Charioteer of Delphi and the Artemision Bronze, which was recovered from the sea by fishermen.

The high classical period saw further progress. Sculptors such as Myron, Phidias, and Polykleitos created sculptures that affect the statuary art to the present day (e.g. "Discobolus," "Athena-Marsyas Group," and "Riace Bronzes," etc.)

In the 4th century, a romantic conception prevailed. Praxiteles and Lysippos determined the art of the time. Sculptures such as "Hermes and the Infant Dionysus," "Pouring Satyr," and especially the "Aphrodite of Knidos" are magnificent examples of the artistic conception of Classical Greece.

Hellenistic Art
With Alexander the Great's conquests, the Greek art dominated the Mediterranean and the Orient. In temple architecture, the Ionic and Corinthian style prevailed.

The Hellenistic sculptural period was initiated by Lysippos. Temple complexes, such as those in Pergamon, were richly decorated with statues. At the beginning of the 2nd century B. C., The "Winged Victory of Samothrace" was created, and towards the end of the century, the "Venus de Milo." The period of Hellenistic sculpture reached its final peak with "Laocoön Group". The painting of that time was determined by Apelles. The Hellenistic painters depicted themes such as historical events, portraits, and genre paintings.

A true-to-the-original reproduction of an artwork in the same size and with the best possible material and colour uniformity.

The mould is usually taken directly from the original so that the replication reproduces even the finest details. After casting the replication, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.

A replication of ars mundi is a recognizable copy of the original.

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IN-061786 Dionysia Ornamental Vase (original size), artificial marble https://www.arsmundi.de/en/dionysia-ornamental-vase-original-size-artificial-marble-061786/ https://www.arsmundi.de/thumbnails/64/d9/db/1619630763/061786_1_320x320.jpg https://www.arsmundi.de/thumbnails/64/d9/db/1619630763/061786_1_320x320.jpg InStock 3307.56 EUR 061786 00000000000000000000000000004732 Greece Garden accessoires Garden accessoires|Replica Garden Objects bright Greek Garden accessoires Garden Greece 0 0 1 0 hell amphore|gartenvase|pflanzkübel|pflanzgefäß 0 0 0 0 0 0 0 1 1999-12-02 00:00:00 250 250 250 0 1 /Garden /Garden/Discover Garden /Garden/Discover Garden/500 EUR - 1,000 EUR /Garden/Discover Garden/1,000 EUR - 2,000 EUR /Garden/Discover Garden/2,000 EUR - 5,000 EUR /Garden/Garden Range /Service /Service/Guide /Garden/Garden Range/Other Garden Accessories /Service/Guide/Works of Art from Renowned Museums /Garden/Discover Garden/All Garden Objects /LP /intern /Service/Guide/Works of Art from Renowned Museums/The British Museum, London /LP/Wine /intern/Produkte /LP/Alle Objekte 01a0341799407a58b95d5960e0e103ae 01a0341dbff5757995b75d9ae48ddfe8 01a0341f62717089856782a6371f9a80 01a034209fa07b7c833f74ba72d7ea40 01a034226a6a7bb48644eaba52206d9e 01a03440599370709351820f53398e26 01a5deb2ac154f16b175397592263075 1f041a79f2b6403b8eae5a6987432c47 50e76724a3124d839d78dc2928adbd5d 6b559e0bb5324099bc41663fdbcc80e5 84a23f887c594d62a9205f7c36048cdd 96ed9bdfc8f2485c87a9dd1db8deb05b ad8ad6e054aa442da969bf7765100bec b125e188d09e4f49aa56475cc4a1d042 e2830f92472a4a9cb7ddc67f2d1f2206 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 84a23f887c594d62a9205f7c36048cdd 01a0341799407a58b95d5960e0e103ae ad8ad6e054aa442da969bf7765100bec 01a034226a6a7bb48644eaba52206d9e 01a03440599370709351820f53398e26 1f041a79f2b6403b8eae5a6987432c47 6b559e0bb5324099bc41663fdbcc80e5 96ed9bdfc8f2485c87a9dd1db8deb05b The god Dionysus, also known as Bacchus, is considered the inventor of wine and was one of the most popular gods of antiquity as a symbol of joie de vivre. The nymph-like maenads and buck-legged satyrs danced alongside him. Place of discovery: Monte Cognuolo. Original: British Museum, London. Neo-Attic, 2nd century BC. Replica in weatherproof polymer marble. Original size. Height 90 cm, weight 75 kg. 3307.56 replica | artificial marble | original size | height 90 cm | weight 75 kg no_artist https://www.arsmundi.de/media/47/62/f1/1619630763/061786_2.jpg?ts=1782824513