Picture "The Harvest" (1888), framed
Picture "The Harvest" (1888), framed
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ars mundi Exclusive Edition | limited, 499 copies | reproduction, Giclée print on canvas | on stretcher frame | framed | size approx. 70 x 55 cm (h/w)
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Detailed description
Picture "The Harvest" (1888), framed
Original: Oil on wood, Musée d'Orsay, Paris. He painted this piece of art in the year of his first encounter with Paul Gauguin. Bernard shows the landscape of Brittany as a composition of clearly delineated areas, from which the figures, which appear equally flat and silhouetted, barely emerge.
Reproduction in Fine Art Giclée print directly on artist's canvas and mounted on a stretcher frame. Framed in a solid wood frame. Limited edition 499 copies. Size approx. 70 x 55 cm (h/w). ars mundi Exclusive Edition.
Hersteller: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hannover, Deutschland E-Mail: info@arsmundi.de
Frame configurator
Customised picture frame
Frame configurator
Customised picture frame
About Émile Bernard
1868-1941
Émile Bernard lived and worked right at the height of modern art development at the end of the 19th century. He had artistic friendships with van Gogh (whose posthumous recognition he later intensively promoted), Gauguin and later, he formed an intense friendship with Cézanne.
Like van Gogh, Bernard was enthusiastic about Japanese woodblock prints and claimed that he, not Gauguin, developed Cloisonism - a painting technique comparable to medieval stained-glass windows in which the subject is presented in sharply defined fields of colour. The dispute over this question permanently divided the two artists.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Giclée = derived from the French verb gicler "to squirt, spurt".
The giclée method is a digital printing process. It is a high-resolution, large-format printout on an inkjet printer with special different-coloured dye- or pigment-based inks (usually six to twelve). The colours are fade-proof, i.e. resistant to harmful UV light. They have a high richness of nuance, contrast and saturation.
The giclée process is suitable for art canvases, handmade and watercolour paper as well as for silk.