Fan "Renaissance of Architecture"
Fan "Renaissance of Architecture"
Quick info
bamboo frame (18 matt black sticks) | printed on both sides with offset print | size approx. 21 x 37 cm | in fabric cover, printed with Hundertwasser lettering
Detailed description
Fan "Renaissance of Architecture"
The resurrection of architecture is possible through the inclusion of nature, through diversity instead of monotony, through unregulated irregularities. Material: Bamboo frame (18 matt black sticks), offset printed on both sides. Size approx. 21 x 37 cm. In a plain fabric cover, printed with Hundertwasser lettering.
The displayed works of art are protected by copyright. In particular, it is not permitted to copy, edit, print or publish these illustrations. Violations will be prosecuted according to civil and criminal law.
Customer reviews
Sehr schön, gute Qualität
Farblich sehr schön - genau die richtige Größe für eine Damenhandtasche - sehr gute Verarbeitung. Ich werde den Fächer sowohl als Deko, aber auch an heißen Tagen zur Kühlung nutzen.
About Friedensreich Hundertwasser
1928-2000
Hundertwasser is one of the most internationally renowned artists of our time. His worldwide reputation was already established in the 1960s. Followed by an eventful and evocative career. His aura and power emerged from his painting and multifaceted work.
Organizing demonstrations, speeches, happenings and campaigns, addressing ecological issues, advocating a life in harmony with nature, manifestos for nature, standing up for a more humane architecture and the improvement of people's lives.
Hundertwasser originated projects such as the tree tenants, the roof afforestation, the regreening of cities, the humus toilet, the restoration of social values and the natural cycles. He was an admonisher against environmental pollution, against the dangers of nuclear energy, against natural degradation and the destruction of natural heritage, and in favour of a waste-free society.
Hundertwasser has been engaged with architecture since the 1950s. On the occasion of the inauguration of the Hundertwasser House of the City of Vienna (1986), he said: "We are again experiencing a turning point where old and rigid values in architecture and urban developement are increasingly being questioned. The straightness and uniformity of Bauhaus architecture is coming to an end because it is callous, sterile, cold, heartless, aggressive and emotionless. The era of absolute rationalism is coming to an end. The new values are enhanced quality of life, not standard of living. Longing for romance, individuality, creativity, especially creativity and living in harmony with nature."
With Friedensreich Hundertwasser, our epoch has found the most imposing challenger of totalitarian thinking, whether it concerns nuclear energy, genetic manipulation, environmental protection or the design of our living space. Hundertwasser lived completely in harmony with his view of things and opposing the contradictions of post-industrial society. Hundertwasser's significance is his art that produces beauty: a message of natural harmony, peace and joy.