Gustav Klimt:
Picture "Forest Slope in Unterach on the Attersee" (1917), framed
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Picture "Forest Slope in Unterach on the Attersee" (1917), framed
Gustav Klimt:
Picture "Forest Slope in Unterach on the Attersee" (1917), framed

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ars mundi Exclusive Edition | limited, 499 copies | numbered | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 68 x 68 cm

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Product no. IN-736171

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Picture "Forest Slope in Unterach on the Attersee" (1917), framed
Gustav Klimt: Picture "Forest Slope in Unterach on the At...

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Picture "Forest Slope in Unterach on the Attersee" (1917), framed

Klimt's unforgettable landscape paintings: There are more than 50 landscape works among the approximately 230 paintings by the Art Nouveau master Gustav Klimt. These brilliantly coloured masterpieces, which were executed on a square canvas, celebrate the landscape around Lake Garda and Lake Attersee. Klimt frequently loved and visited these landscapes. The unusual perspectives are characteristic of his work. His "Forest Slope" shows the Attersee but at the same time provides a glimpse of the village and mixed forest towering over it like a mosaic.
Original: Oil on canvas.

High-quality reproduction using the Fine Art Giclée process process, laminated on artist's canvas and traditionally stretched on a wooden frame. The special surface finish and the visible linen structure emphasise the painting-like effect. In sophisticated black gallery frame with a golden inner bevel. Limited edition of 499 copies, numbered on the back and with certificate. Size 68 x 68 cm. Exclusively at ars mundi.

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Portrait of the artist Gustav Klimt

About Gustav Klimt

1862-1918, Austrian painter, a famous representative of Viennese Art Nouveau

Gustav Klimt (1862-1918) was already a renowned artist, influencing the Art Nouveau style of Vienna's famous Ringstrasse with his murals and co-founding the Vienna Secession, when he created his "Golden Style". Inspired by the Byzantine mosaics, he inserted ornamental colour surfaces into a golden bed just like encased gemstones. With his visual art, Klimt describes the path of life of human beings who, negatively influenced by instincts, find their redemption in the kiss. The depictions of the body convey a subtle eroticism, although their figures dissolve into ornamental and geometric colour surfaces. He utilized this method not only for his depictions of couples but also for his portraits of rich women and landscape paintings. This two-dimensional style is today the epitome of Klimt's intensely coloured art, which, however, only characterises his work from 1905 onwards.

Klimt was not only adept at gold and opulence but was also a brilliant draughtsman. He produced numerous drawings in the course of his life. Mostly as preliminary studies for larger works.

As a son of an engraver, Klimt learned his craft at Vienna‘s School of Applied Arts. While still seeking to find his own artistic style, his early work is based on historicism especially influenced by Hans Makart, the artist Prince of the Habsburg monarchy in the late 19th century. Together with his brother Ernst and Franz Matsch, the three young painters formed an artistic community and received numerous commissions to design new buildings on Vienna's Ringstrasse. The staircases of Vienna's Burgtheater or the Museum of Fine Arts bear witness to the historicist style of this collaborative team.

In the late 1890s, like so many young and open-minded artists of the fin de siècle, Gustav Klimt abandoned the academic tradition. In 1897, together with other artists, he founded the "Wiener Secession", which he presided over as president until his resignation in 1905. To this day, the Secession's exhibition building remains a place and temple for new young art.

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