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Jan Vermeer van Delft:
Picture "The Lacemaker" (1669-70), framed
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
Picture "The Lacemaker" (1669-70), framed by Jan Vermeer van Delft
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Picture "The Lacemaker" (1669-70), framed
Jan Vermeer van Delft:
Picture "The Lacemaker" (1669-70), framed

Quick info

limited, 499 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 60 x 51 cm (h/w)

€537.48

incl. tax plus Shipping

Product no. IN-704563.R1

Delivery time: approx. 2 weeks

Picture "The Lacemaker" (1669-70), framed
Jan Vermeer van Delft: Picture "The Lacemaker" (1669-70),...
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Detailed description

Picture "The Lacemaker" (1669-70), framed

Salvador Dalí was so enthusiastic about this picture that he equated it with Michelangelo's painting of the Sistine Chapel.
Original: 1669-70, oil on canvas, 24.5 x 21 cm, Musée du Louvre.

Brilliantly coloured reproduction as Fine Art Giclée on artist's canvas, traditionally stretched on a stretcher frame. Limited edition 499 copies, with a numbered certificate on the back. Framed in a handmade, golden solid wood frame. Size 60 x 51 cm (h/w).

Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]

About Jan Vermeer van Delft

Jan Vermeer is one of the most important Dutch painters of the Baroque epoch. He was baptised on October 31, 1632 in Delft and buried there on December 15, 1675. As there was no school of painting in Delft at that time, the son of a silk weaver, art dealer and innkeeper was trained as a craftsman. His admission to the Delft Guild of St. Luke in 1650 testifies to his activity as a master painter. Only 37 of his paintings have survived to this day. His main theme was genre painting, as there are only a few portraits or religious paintings in his œuvre.

The interior views radiate silence, security, and inner peace. The painter from Delft was able to achieve these effects with subtle colour harmonies and refined shadows. He was also a master of the photographic perspective. The genre paintings show few figurative scenes, to which symbolic content is often attributed.

A special mention should be given to Vermeer's Delft City View of 1661, whose naturalism testifies to a high level of mastery. In addition, "The Girl with the Pearl Earring" became the epitome of beauty and grace. For the painter, it was a challenge to bring the viewer into contact with the model. The young woman's eye contact skilfully establishes a connection, but at the same time achieves distance again through the body that is turned away. Many generations of art lovers have rightly been fascinated by the extraordinary expression of this painting.

Vermeer strove for perfection in his painting, often produced only just four paintings a year. As a result, the father of eleven children struggled with financial hardship, which increased during the last years of his life. Right after his death, Jan Vermeer fell into oblivion. It was not until the middle of the 19th-century that people learned to appreciate the quality of his paintings.

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Term used to describe the art of the 17th century. The Baroque art style, which originated in Rome around 1600, quickly spread through the visual arts, literature, and music across nerly all of Europe, lasting in the visual arts until 1770. The final phase is generally characterised by Rococo.

Characteristic features include: the pulsating movement of all forms, the abolition of boundaries between architecture, painting, and sculpture, leading to the typical "Gesamtkunstwerk" ("total work of art"), and, above all, the purposeful use of light, which became an important artistic component. The subordination of the individual parts to the whole resulted in the creation of a unified yet dynamic space, which is fully expressed in the magnificent buildings of this period.

The Baroque art, with its penchant for grandeur, splendour, and rushing abundance, clearly reflects the desire for representation, which was a concern of secular and ecclesiastical, especially the Catholic patrons strengthened by the Counter-Reformation. In painting, characteristic features of the Baroque, are manifested in altar and ceiling painting, history scences and portraits.

Typical representatives include artists such as Anthony van Dyck, Peter Paul Rubens, as well as Gian Lorenzo Bernini in the field of sculpture.

Giclée = derived from the French verb gicler "to squirt, to spray".

The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.

The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.

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The object in the size ratio of 1.70 m

60 x 51 cm

60 x 51 cm

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IN-704563.R1 Picture "The Lacemaker" (1669-70), framed https://www.arsmundi.de/en/jan-vermeer-van-delft-picture-the-lacemaker-1669-70-framed-704563-r1/ https://www.arsmundi.de/thumbnails/db/c3/03/1677828160/704563.R1_1_320x320.jpg https://www.arsmundi.de/thumbnails/db/c3/03/1677828160/704563.R1_1_320x320.jpg InStock 537.48 EUR 704563.R1 00000000000000000000000999520113 Giclée other Porträts Baroque / Rococo Bilder Portraits Portraits Vermeer van Delft, Jan Giclée Baroque/rococo Pictures Portraits Pictures Giclée Baroque/rococo Jan Vermeer van Delft 0 0 1 0 andere 704563R1|kunstdruck|kunstdrucke Vermeer van Delft, Jan 0 0 1 0 0 0 0 1 2009-03-09 00:00:00 250 250 250 0 1 /Pictures /Pictures/Discover Images /Pictures/Discover Images/Limited Editions /Service /Service/Guide /Pictures/Discover Images/Masterpieces of Art /Artists /Artists/Detailseite (Produktlisting) /Service/Guide/Works of Art from Renowned Museums /Pictures/Techniques /Pictures/Epochs /Pictures/Epochs/Baroque / Rococo /Pictures/Motifs /Pictures/Techniques/Giclée /LP /LP/End of Year Sale /Pictures/Discover Images/All Pictures /intern /Pictures/Motifs/Portraits /Service/Guide/Works of Art from Renowned Museums/Louvre, Paris /intern/Produkte /LP/Alle Objekte 01a02365b7067144a3ee4da39ae93f83 01a023c7ef117de8bb9324a52d83d581 01a03440599370709351820f53398e26 110002d4ac55449bb1be0348d71f2396 12e8e268b3b2456b8d52a5669b8492c5 185b411b7151469a981b743b38d39c03 1f041a79f2b6403b8eae5a6987432c47 40aa17d90d294482839b164bf0a93a02 5d0f47e4c351416e8e59a747e6e0ce34 5ee7d22ed1da476fa00425f0550481fd 6316309f502147a288172856026d5fc8 6348b526c7b946cbac3a6bf68dd53a66 6b559e0bb5324099bc41663fdbcc80e5 6f71586212a345e6855fbeaba7ea9ea0 88dfe7ddac2a4a439c55836deca17f86 96ed9bdfc8f2485c87a9dd1db8deb05b ad8ad6e054aa442da969bf7765100bec b83c104b43b24bd7b155684d5b7b0746 d66bc508044e4a23b27a40a1849591d9 db6148ea99ca4fa0b1aa92397c1c4711 f17d6493f0f744ecb31b3a2d1a96eef6 fb89ca270db74440b1ca873b20879c81 fda632c426c24bf8aebfb826dc028741 fda632c426c24bf8aebfb826dc028741 110002d4ac55449bb1be0348d71f2396 01a02365b7067144a3ee4da39ae93f83 ad8ad6e054aa442da969bf7765100bec db6148ea99ca4fa0b1aa92397c1c4711 01a03440599370709351820f53398e26 5ee7d22ed1da476fa00425f0550481fd 40aa17d90d294482839b164bf0a93a02 6b559e0bb5324099bc41663fdbcc80e5 6316309f502147a288172856026d5fc8 1f041a79f2b6403b8eae5a6987432c47 96ed9bdfc8f2485c87a9dd1db8deb05b Jan Vermeer van Delft Salvador Dalí was so enthusiastic about this picture that he equated it with Michelangelo's painting of the Sistine Chapel. Original: 1669-70, oil on canvas, 24.5 x 21 cm, Musée du Louvre. Brilliantly coloured reproduction as Fine Art Giclée on artist's canvas, traditionally stretched on a stretcher frame. Limited edition 499 copies, with a numbered certificate on the back. Framed in a handmade, golden solid wood frame. Size 60 x 51 cm (h/w). 537.48 limited, 499 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 60 x 51 cm (h/w) https://www.arsmundi.de/media/0d/87/2f/1676971785/704563.R1_2.jpg?ts=1782824716