Sculpture "Reading Girl", bronze
Sculpture "Reading Girl", bronze
Quick info
limited, 80 copies | numbered | signed | bronze | chiselled | patinated | size 27 x 21 x 13 cm (h/w/d) | weight approx. 3.3 kg
Detailed description
Sculpture "Reading Girl", bronze
Jürgen Ebert analyses people's challenges from a critical yet participatory distance and aims to stimulate discussion with his works. His bronze sculpture "Reading Girl" was chiselled and patinated by the artist himself. Each sculpture is a unique piece.
Sculpture in fine bronze, cast using the Lost-Wax-Process, chiselled and patinated by the artist. Limited edition of 80 copies, numbered and signed. Size 27 x 21 x 13 cm (h/w/d). Weight approx. 3.3 kg.
About Jürgen Ebert
The oeuvre of the sculptor Jürgen Ebert impresses with the diversity of his sculptural techniques, themes, and forms. Ebert studied at the Academy of Fine Arts in Munich and can look back on a multitude of exhibitions, including the Art Basel. His large sculptures are displayed in Dutch, Belgian, and numerous German cities, including Dortmund and Essen.
Jürgen Ebert analyses the challenges of humanity from a critical yet participative distance and aims to stimulate discussion with his works.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Term for an art object (sculpture, installation), which is produced in multiple copies in a limited and numbered edition according to the artist‘s will.
Artist's multiples have been called the most accessible and affordable art on the market.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.