Replica "Cherub from the Fugger Chapel III" (c. 1530), cast stone antique finish
Replica "Cherub from the Fugger Chapel III" (c. 1530), cast stone antique finish
Quick info
ars mundi Exclusive Edition | museum replica | cast stone | patinated | size 39 x 28 x 19 cm (w/h/d) | weight 8 kg
Detailed description
Replica "Cherub from the Fugger Chapel III" (c. 1530), cast stone antique finish
In 1509, Jakob Fugger endowed the Fugger Chapel in St. Anna's Church in Augsburg, a project planned by Albrecht Dürer. It is the first construction north of the Alps to be imbued with the spirit of humanism. The Fugger brothers' burial chapel, built until 1512, magnificently decorated in the following years and consecrated in 1518, was the splendid prelude to the Renaissance in Germany and one of its high points. Apart from Albrecht Dürer, some of the most important German artists of the Renaissance were involved in its creation. Unique and full of charm are the cherubs that adorn the balustrade of the Fugger Chapel and "guard" the Fugger burial place.
To mark the 500th anniversary of the foundation of the Fugger Chapel in St. Anna, we at ars mundi, in cooperation with the House of Fugger, can now exclusively and for the first time ever offer you the famous cherubs as authentic, slightly scaled-down museum replicas! Each copy is carefully hand-cast in polymer cast stone and patinated to an antique finish.
Cherub from the Fugger Chapel III, around 1530: size 39 x 28 x 19 cm (w/h/d), weight 8 kg.
This object is part of the following sets
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Collective term for all casting processes that ars mundi carries out with the help of specialised art foundries.
Stone casting
Similar to artificial marble, with the difference that the substitute stone in powder form is used instead of marble powder.
Bonded Bronze (Cold-Cast-Bronze)
Bronze powder is polymer-bonded. Special polishing and patination techniques give the surface of the casting an appearance similar to the bronze.
Imitation Wood
In order to guarantee absolute fidelity to the original, an artificially manufactured imitation wood is used as a base material that features typical wood characteristics: density, workability, colour and surface structure.
Ceramic Mould Casting
Ceramic mould casting usually requires the use of casting clay, which is then fired and optionally glazed. Instead of the usual rubber moulds, plaster moulds are often used in ceramic casting and porcelain production.
Cast Bronze (Lost-Wax Casting)
For the cast bronze, the thousand-year-old lost-wax technique is used. It's the best, but also the most complex method of producing sculptures.
(Rebirth). The term describing art from around 1350 until the 16th century.
A mindset that developed in Florence in the late 14th century that was retrospectively classified as rebirth of the classical ideals of Greek and Roman antiquity. During the 15th and 16th centuries, the Renaissance spread first over Italy and then all over Western Europe and determined the entire artistic creation. Brilliant artists such as Donatello, Leonardo da Vinci, Michelangelo, Raphael, Dürer, Holbein, Cranach and Fouquet created their immortal works by following the humanistic premises and placing the human being in the centre of all thinking.
Renaissance experienced its heyday in literature through dramatic works and poems of William Shakespeare.
At the end of the 16th century, the Renaissance had to give way to the opulence of baroque, before its ideas experienced a rebirth in the classicism of the 18th century.
A true-to-the-original reproduction of an artwork in the same size and with the best possible material and colour uniformity.
The mould is usually taken directly from the original so that the replication reproduces even the finest details. After casting the replication, using the most appropriate method, the surface is polished, patinated, gilded or painted according to the original.
A replication of ars mundi is a recognizable copy of the original.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.