Quick info
bronze | hand chased and patinated | weight approx. 0,3-2,6 kg | mother: size 18 x 14 x 32 cm | explorer: size 8 x 6 x 10 cm | relaxed: size 7 x 6 x 11 cm | straggler: size 7 x 7 x 11 cm | incl. mounting hardware
Detailed description
Set of 4 garden sculptures "Mother Duck with Ducklings", bronze
The garden pond is its territory: the duck slowly swims around. The proud mother duck is followed by three ducklings that match her in size and design - silently and without exciting chatter and highly unimpressed by predators of any kind.
Bronze sculptures cast using the Lost-Wax-Process, chiselled and patinated by hand. Can be fastened using the threaded pin supplied.
"Mother Duck": A stately and finely executed specimen of the Anatinae family with partially patinated plumage. Size 18 x 14 x 32 cm (h/w/d). Weight approx. 2,6 kg.
"Duckling Explorer": It curiously stretches its little head upwards, either to look for its mother or to discover the exciting world around it. Size 8 x 6 x 10 cm (h/w/d). Weight approx. 0,4 kg.
"Duckling, Relaxed": Calm and relaxed, it follows its mother and feels visibly at ease amid the flock of siblings. Size 7 x 6 x 11 cm (h/w/d). Weight approx. 0,4 kg.
"Duckling Straggler": It has to hurry in order not to lose its family: With its little legs stretched up, it paddles off vigorously. Size 7 x 7 x 11 cm (h/w/d). Weight approx. 0,3 kg.
Set of mother duck and three ducklings.
This set contains the following products
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.