Set of 5 equestrian sculptures "To Ride", bronze
Set of 5 equestrian sculptures "To Ride", bronze
Quick info
limited, 75 copies | numbered | signed | certificate | bronze | patinated | height max. 18 cm, width max. 19.5 cm, depth max. 5.5 cm | total weight approx. 3 kg
Detailed description
Set of 5 equestrian sculptures "To Ride", bronze
Set of five sculptures in fine bronze, patinated, cast by hand using the Lost-Wax-Process. Limited edition of 75 copies, numbered and signed, with certificate. Size of the sculptures from left to right: 14,5 x 19,5 x 5,5 cm, 17 x 14 x 5 cm, 13,5 x 18 x 4,5 cm, 14,5 x 18,5 x 4 cm and 12,5 x 16,5 x 5,5 cm (h/w/d). Total weight approx. 3 kg.
About Ann Vrielinck
The Belgian artist Ann Vrielinck thematises and questions aspects of human action and behaviour in a community through her bronze sculptures. She often illustrates these through groups of slender, strongly abstracted bodies in rough, untreated bronze. She always needs only a few details to make the gestures and movements of her figures clearly recognisable.
Ann Vrielinck's (born in 1966) artistic training began at the Academy of Fine Arts in Bruges, Belgium. In 1988, she obtained a higher degree at the St-Lucas School of Arts. Later, she also completed an apprenticeship and took some courses in the restoration of paintings and ceramics. She now teaches fine arts at the Academy of Fine Arts in Bruges.
An alloy of copper with other metals (especially with tin) used since ancient times.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. It's the best, but also the most complex method of producing sculptures.
First, the artist forms a model of his sculpture. It is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out. The liquid wax is poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, whereby the wax flows out (lost mould).
Now we finally have the negative form, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken off and the sculpture is revealed.
Now the sprues are removed, the surfaces are polished, patinated and numbered by the artist himself or, to his specifications, by a specialist. Thus, each casting becomes an original work.
For lower-quality bronze castings, the sand casting method is often used which, however, does not achieve the results of a more complex lost-wax technique in terms of surface characteristics and quality.
Term for an art object (sculpture, installation), which is produced in multiple copies in a limited and numbered edition according to the artist‘s will.
Artist's multiples have been called the most accessible and affordable art on the market.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.