Wall object "Sticks #32" (2024) (Original / Unique piece) New
Wall object "Sticks #32" (2024) (Original / Unique piece) New
Quick info
unique piece | signed | mixed media | size 57 x 55 x 2 cm (h/w/d) | weight approx. 1 kg | suspension device
Detailed description
Wall object "Sticks #32" (2024) (Original / Unique piece)
Wall object made of wood, acrylic paint and epoxy resin. Hand-signed on the back. Size 57 x 55 x 2 cm (h/w/d). Weight approx. 1 kg. With suspension device.
About Daniel Engelberg
Daniel Engelberg (born in 1979 in Munich, Germany) studied sculpture under Prof Claus Bury at the AdBK in Nuremberg, Germany, and became a master-class student in 2008. In 2010, he continued his studies in sculpture with Prof Hermann Pitz at the AdBK in Munich.
His works are inspired by material patterns, grids and shapes. Through his sculptural approach and reduction to the essentials, he creates seemingly two-dimensional works.
He regularly exhibits his work at national and international exhibitions.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures from wood, ivory or stone are made directly from the block of material, in bronze casting a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.
A one-of-a-kind or unique piece is a work of art that has been personally created by the artist. It exists only once due to the type of production (oil painting, watercolours, drawing, etc.).
In addition to the classic unique pieces, there exist the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a type of modern art, that aims to create an aesthetic effect through series, repetitions and variations of the same objects or themes or a system of constant and variable elements or principles.
In the history of arts, the starting point of this trend was the work "Les Meules" (1890/1891) by Claude Monet, in which for the first time a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.