Kaikaoss:
Picture "Fall of Leaves" (2007), on stretcher frame
Proportional view
Picture "Fall of Leaves" (2007), on stretcher frame
Kaikaoss:
Picture "Fall of Leaves" (2007), on stretcher frame

Quick info

ars mundi Exclusive Edition | limited, 299 copies | numbered | signed by hand | reproduction, Giclée print on canvas | stretcher frame | size 80 x 70 cm

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Last exemplars
Product no. IN-687680.KR

Delivery time: approx. 2 weeks

Frame variant
Picture "Fall of Leaves" (2007), on stretcher frame
Kaikaoss: Picture "Fall of Leaves" (2007), on stretcher f...

Detailed description

Picture "Fall of Leaves" (2007), on stretcher frame

A white sheet of paper symbolises purity. It is ready to receive the imagination and creativity of the viewer. Kaikaoss creates the impression of white leaves trickling like snow or autumnal leaves. Behind all the superficial innocence, there are three graces. They embody chastity, beauty and love, and suggesting that the imagination mostly follows highly mundane paths.

Giclée print on artist's canvas, 2007. 299 copies limited edition. Mounted on a stretcher frame. Size 80 x 70 cm. Numbered and signed by the artist on the back. ars mundi Exclusive Edition.

The painter Kaikaoss in the studio

About Kaikaoss

The painter Kaikaoss was born in Kabul in 1965, where he also received his first artistic training. He completed his art studies in Minsk, Belarus. This is also where his works were exhibited for the first time. Kaikaoss has lived and worked as a freelance artist in Germany since 1991. Since then, his works have been presented at numerous joint and solo exhibitions in Germany and Paris.

His style based on the surrealism of classical modernism. The influence of his idols Picasso and Magritte are obvious. He adopts their elements without, copying them. He creates independent masterpieces in a great tradition.

What distinguishes him from other artists is his profound technique and his pictorial intelligence. Kaikaoss's realistically painted pictures seem completely logical at first glance. But what at first seems "right" is doubted on closer inspection. In this way, the artist plays with our perceptual expectations in a sophisticated way.

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