Max Liebermann:
Picture "Dune and Sea" (1909), framed
Proportional view
Picture "Dune and Sea" (1909), framed
Max Liebermann:
Picture "Dune and Sea" (1909), framed

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ars mundi Exclusive Edition | limited, 499 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 64 x 91 cm (h/w)

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Product no. IN-889593

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Picture "Dune and Sea" (1909), framed
Max Liebermann: Picture "Dune and Sea" (1909), framed

Detailed description

Picture "Dune and Sea" (1909), framed

Even their common gallerist Paul Cassirer called Slevogt and Liebermann (along with Lovis Corinth) his "German Impressionists". Indeed, the three were united by their respective proximity to the new French art movement and a great love of landscape painting in the open air. In 1908, they even met once at Cassirer's invitation in the Dutch summer resort. For Slevogt, this was supposed to be his only visit to the region. However, Liebermann repeatedly returned to Noordwijk over the years. There he created numerous beach scenes. Slevogt's and Liebermann's landscape paintings are today regarded as highlights of Impressionist landscape painting.
Original: 1909, oil on canvas, Kunstsalon Franke (loan) 1992, Cologne.

High-quality Fine Art Giclée on 100% cotton artist's canvas, stretched on stretcher frame (adjustable with wedges for re-stretching). Limited edition of 499 copies, with a numbered certificate on the back. Framed in a solid wood frame in white with gold edge, grey patinated. Size 64 x 91 cm (h/w). ars mundi Exclusive Edition.

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Portrait of the artist Max Liebermann

About Max Liebermann

1847-1935

Together with Lovis Corinth and Max Slevogt, Max Liebermann formed the triumvirate of German Impressionism and received numerous honours throughout his life. Through his commitment to elevating the life and work of ordinary people to art in unpretentious simplicity meant that Liebermann initially had to fight for recognition.

Liebermann only became a celebrated painter at the turn of the century when he increasingly devoted himself to motifs and scenes from the life of the upper-middle classes. He was an appointed professor at the Royal Academy and a member of the jury at the Academy exhibitions in 1897. In 1899 he founded the Berlin Secession and made it the most important German art institution. In 1920 Liebermann became president of the Prussian Academy and in 1932 its honorary president.

Because of his Jewish ancestry, he was ostracised by the Nazis and forced to resign from all offices. While watching the Nazis celebrate their victory by marching through the Brandenburg Gate from the window of his flat Liebermann supposedly said: "I can't eat as much as I want to vomit." In 1935 he died at the age of 87 after a long illness.

For Max Liebermann, nature was always a man-made (and man-inhabited) paradise. He found his motifs in gardens, parks and in bourgeois places of amusement. Liebermann is a master of staged light, which he lets fall on his scenes, often filtered through a canopy. The individual beams of light that penetrate to the ground are striking and have gone down in art history as "Liebermann's sunspots".

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