Picture "Still Life with Apples and Primroses" (early 1890s), framed
Picture "Still Life with Apples and Primroses" (early 1890s), framed
Quick info
limited, 199 copies | reproduction, Giclée print on canvas | on stretcher frame | framed | size 60 x 73 cm (h/w)
Detailed description
Picture "Still Life with Apples and Primroses" (early 1890s), framed
Original: The Metropolitan Museum of Art, New York.
High-quality reproduction using the Fine Art Giclée process directly onto the artist's canvas, stretched on a stretcher frame. Limited edition of 199 copies. With solid wood museum frame. Size 60 x 73 cm (h/w).
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany, [email protected]
About Paul Cézanne
1839-1906
"I do not paint as I see, I paint as I feel. An art which isn't based on feeling isn't an art at all...". Paul Cézanne’s post-impressionistic paintings laid the foundations of the transition for 20th-century art. In particular, Cubists and Fauvists, such as Pablo Picasso and Henri Matisse, traced their art directly back to Cézanne. Cézanne was one of the first painters to deliberately change sizes and perspectives in his paintings in order to achieve special effects and vividness.
Cézanne was born on January 19, 1839, in Aix-en-Provence as the son of a small banker. The very late artistic recognition made the artist financially dependent on his father throughout his whole life. The Ecole des Beaux-Arts in Paris and the Paris Salon constantly rejected his submissions, resulting in him becoming a solitary loner. Complying with his father's wishes, Cézanne attended the law school. He, therefore, educated himself as an autodidact in the field of arts and studied the works of Rubens, Delacroix and Poussin. He often worked with groups of Impressionists and even exhibited with them. However, he distanced himself from their style, as he wanted to create a "solid and lasting like art" that was only carrying a few impressionistic features, such as the bright colour palette and the atmospheric, flickering colourfulness.
Cézanne painted almost exclusively landscapes of the Aix-en-Provence region, still lifes and everyday scenes, in which he did not want to reproduce visible nature but what he perceived. He developed a new conception of space, form and colour that was to set the trend for subsequent generations of painters. Quite rightly he is called the "Father of Modernism".
The real significance of his works was only recognised after his first solo exhibition in Paris in 1895. Further exhibitions followed, and finally, his paintings were sold at high prices. Nevertheless, he slowly retired due to his deteriorated health. Even his wife and son, who both lived in Paris, could no longer get through to him. Finally, Cézanne died alone on October 22, 1906, of pneumonia in his studio in Aix-en-Provence.
The large memorial exhibition "Myth of Cézanne" was commemorated just one year later with 56 of his paintings.
Giclée = derived from the French verb gicler "to squirt, to spray".
The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.
The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.
The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.
Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.
Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.
Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.
Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.
However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.