Peder Severin Kroyer:
Picture "Marie, the Artist's Wife, in the Garden" (1895), framed
Proportional view
Picture "Marie, the Artist's Wife, in the Garden" (1895), framed
Peder Severin Kroyer:
Picture "Marie, the Artist's Wife, in the Garden" (1895), framed

Quick info

ars mundi Exclusive Edition | limited, 499 copies | numbered certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 78 x 63 cm (h/w)

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Product no. IN-704112.R1

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Frame variant
Picture "Marie, the Artist's Wife, in the Garden" (1895), framed
Peder Severin Kroyer: Picture "Marie, the Artist's Wife,...

Detailed description

Picture "Marie, the Artist's Wife, in the Garden" (1895), framed

Original: Oil on wood. Christie's Images Ltd.

The original artwork was transferred directly onto 100% cotton artist's canvas using the Fine Art Giclée process for brilliant, authentic reproduction and mounted on a stretcher frame. The motif surface with tactile and visible linen structure underlines the painting-like effect. Limited edition of 499 copies, with a numbered certificate on the back. Framed in handmade museum frame. Size 78 x 63 cm (h/w). Exclusively at ars mundi.

Portrait of the artist Peder Severin Kroyer

About Peder Severin Kroyer

1851-1909

In Denmark and Norway, everyone knows Peder Severin Krøyer. The Norwegian-Danish painter is the icon of Nordic Impressionism.

Krøyer entered the Royal Danish Academy of Art at the age of 14. As a young artist, he travelled extensively to Spain, Italy and especially France from 1877 to 1881, where he studied the Impressionists in Paris. In the summer of 1882, Krøyer came to Skagen for the first time, where he spent every summer from then on and became the main representative of the artists' colony there.

His paintings show the carefree life of the artists, their parties, walks on the beach and atmospheric evenings in the moonlight.

It is not only his technical mastery and virtuoso handling of pictorial composition and colour coordination that make Krøyer a great master. It is also his precise powers of observation and the fact that the perfectly captured moods of his pictures have an almost immediate effect on the viewer.

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